At this moment in marched Aglaya, as calm and collected as could be. She gave the prince a ceremonious bow and solemnly took up a prominent position near the big round table. She looked at the prince questioningly.
“Come along, then. I don’t wish to meet my new year without you--my new life, I should say, for a new life is beginning for me. Did you know, Parfen, that a new life had begun for me?”
“In the first place, my dear prince, don’t be angry with me. I would have come to see you yesterday, but I didn’t know how Lizabetha Prokofievna would take it. My dear fellow, my house is simply a hell just now, a sort of sphinx has taken up its abode there. We live in an atmosphere of riddles; I can’t make head or tail of anything. As for you, I feel sure you are the least to blame of any of us, though you certainly have been the cause of a good deal of trouble. You see, it’s all very pleasant to be a philanthropist; but it can be carried too far. Of course I admire kind-heartedness, and I esteem my wife, but--”“No; Constant was away then, taking a letter to the Empress Josephine. Instead of him there were always a couple of orderlies--and that was all, excepting, of course, the generals and marshals whom Napoleon always took with him for the inspection of various localities, and for the sake of consultation generally. I remember there was one--Davoust--nearly always with him--a big man with spectacles. They used to argue and quarrel sometimes. Once they were in the Emperor’s study together--just those two and myself--I was unobserved--and they argued, and the Emperor seemed to be agreeing to something under protest. Suddenly his eye fell on me and an idea seemed to flash across him.
| The scene was growing more and more disgraceful; but Nastasia Philipovna continued to laugh and did not go away. Nina Alexandrovna and Varia had both risen from their places and were waiting, in silent horror, to see what would happen. Varia’s eyes were all ablaze with anger; but the scene had a different effect on Nina Alexandrovna. She paled and trembled, and looked more and more like fainting every moment. |
| “Her mother allowed all this to go on, and nodded her head and encouraged them. The old woman was very ill at that time, and knew she was dying (she really did die a couple of months later), and though she felt the end approaching she never thought of forgiving her daughter, to the very day of her death. She would not even speak to her. She made her sleep on straw in a shed, and hardly gave her food enough to support life. |
Every time that Aglaya showed temper (and this was very often), there was so much childish pouting, such “school-girlishness,” as it were, in her apparent wrath, that it was impossible to avoid smiling at her, to her own unutterable indignation. On these occasions she would say, “How can they, how _dare_ they laugh at me?”
| For the first five minutes the reader’s voice continued to tremble, and he read disconnectedly and unevenly; but gradually his voice strengthened. Occasionally a violent fit of coughing stopped him, but his animation grew with the progress of the reading--as did also the disagreeable impression which it made upon his audience,--until it reached the highest pitch of excitement. |
III.
The prince followed quietly, making no further objection for fear of irritating the old man. At the same time he fervently hoped that General Sokolovitch and his family would fade away like a mirage in the desert, so that the visitors could escape, by merely returning downstairs. But to his horror he saw that General Ivolgin was quite familiar with the house, and really seemed to have friends there. At every step he named some topographical or biographical detail that left nothing to be desired on the score of accuracy. When they arrived at last, on the first floor, and the general turned to ring the bell to the right, the prince decided to run away, but a curious incident stopped him momentarily.
He laughed again.
We may add that to a business man like General Epanchin the present position of affairs was most unsatisfactory. He hated the uncertainty in which they had been, perforce, left. However, he decided to say no more about it, and merely to look on, and take his time and tune from Lizabetha Prokofievna.“Better not read it now,” said the prince, putting his hand on the packet.
| Suddenly she looked around, shuddered, gave a loud cry, and threw herself in the prince’s arms. |
“Why, look at him--look at him now!”
| “But--recollect, Nastasia Philipovna,” stammered Totski, “you gave a promise, quite a free one, and--and you might have spared us this. I am confused and bewildered, I know; but, in a word, at such a moment, and before company, and all so-so-irregular, finishing off a game with a serious matter like this, a matter of honour, and of heart, and--” |
| The fact is that probably Hippolyte was not quite so black as Gania painted him; and it was hardly likely that he had informed Nina Alexandrovna of certain events, of which we know, for the mere pleasure of giving her pain. We must never forget that human motives are generally far more complicated than we are apt to suppose, and that we can very rarely accurately describe the motives of another. It is much better for the writer, as a rule, to content himself with the bare statement of events; and we shall take this line with regard to the catastrophe recorded above, and shall state the remaining events connected with the general’s trouble shortly, because we feel that we have already given to this secondary character in our story more attention than we originally intended. |
A fortnight had passed since the events recorded in the last chapter, and the position of the actors in our story had become so changed that it is almost impossible for us to continue the tale without some few explanations. Yet we feel that we ought to limit ourselves to the simple record of facts, without much attempt at explanation, for a very patent reason: because we ourselves have the greatest possible difficulty in accounting for the facts to be recorded. Such a statement on our part may appear strange to the reader. How is anyone to tell a story which he cannot understand himself? In order to keep clear of a false position, we had perhaps better give an example of what we mean; and probably the intelligent reader will soon understand the difficulty. More especially are we inclined to take this course since the example will constitute a distinct march forward of our story, and will not hinder the progress of the events remaining to be recorded.
| “I shall,” said the prince, with gentle humility. |
| “My dear good Prince Lef Nicolaievitch,” began the general again, suddenly, “both I and Lizabetha Prokofievna--(who has begun to respect you once more, and me through you, goodness knows why!)--we both love you very sincerely, and esteem you, in spite of any appearances to the contrary. But you’ll admit what a riddle it must have been for us when that calm, cold, little spitfire, Aglaya--(for she stood up to her mother and answered her questions with inexpressible contempt, and mine still more so, because, like a fool, I thought it my duty to assert myself as head of the family)--when Aglaya stood up of a sudden and informed us that ‘that madwoman’ (strangely enough, she used exactly the same expression as you did) ‘has taken it into her head to marry me to Prince Lef Nicolaievitch, and therefore is doing her best to choke Evgenie Pavlovitch off, and rid the house of him.’ That’s what she said. She would not give the slightest explanation; she burst out laughing, banged the door, and went away. We all stood there with our mouths open. Well, I was told afterwards of your little passage with Aglaya this afternoon, and--and--dear prince--you are a good, sensible fellow, don’t be angry if I speak out--she is laughing at you, my boy! She is enjoying herself like a child, at your expense, and therefore, since she is a child, don’t be angry with her, and don’t think anything of it. I assure you, she is simply making a fool of you, just as she does with one and all of us out of pure lack of something better to do. Well--good-bye! You know our feelings, don’t you--our sincere feelings for yourself? They are unalterable, you know, dear boy, under all circumstances, but--Well, here we part; I must go down to the right. Rarely have I sat so uncomfortably in my saddle, as they say, as I now sit. And people talk of the charms of a country holiday!” |