| The room they were now sitting in was a large one, lofty but dark, well furnished, principally with writing-tables and desks covered with papers and books. A wide sofa covered with red morocco evidently served Rogojin for a bed. On the table beside which the prince had been invited to seat himself lay some books; one containing a marker where the reader had left off, was a volume of Solovieff’s History. Some oil-paintings in worn gilded frames hung on the walls, but it was impossible to make out what subjects they represented, so blackened were they by smoke and age. One, a life-sized portrait, attracted the prince’s attention. It showed a man of about fifty, wearing a long riding-coat of German cut. He had two medals on his breast; his beard was white, short and thin; his face yellow and wrinkled, with a sly, suspicious expression in the eyes. |
| “Do you know there is a limit of ignominy, beyond which man’s consciousness of shame cannot go, and after which begins satisfaction in shame? Well, of course humility is a great force in that sense, I admit that--though not in the sense in which religion accounts humility to be strength! |
When Keller seized the would-be suicide, the latter fell forward into his arms, probably actually believing that he was shot. Keller had hold of the pistol now. Hippolyte was immediately placed in a chair, while the whole company thronged around excitedly, talking and asking each other questions. Every one of them had heard the snap of the trigger, and yet they saw a live and apparently unharmed man before them.
| That the prince was almost in a fever was no more than the truth. He wandered about the park for a long while, and at last came to himself in a lonely avenue. He was vaguely conscious that he had already paced this particular walk--from that large, dark tree to the bench at the other end--about a hundred yards altogether--at least thirty times backwards and forwards. |
“That is nothing!” said the prince, waving his hand.
Keller, for instance, had run into the house three times of late, “just for a moment,” and each time with the air of desiring to offer his congratulations. Colia, too, in spite of his melancholy, had once or twice begun sentences in much the same strain of suggestion or insinuation.“What are you grinning at my father’s portrait again for?” asked Rogojin, suddenly. He was carefully observing every change in the expression of the prince’s face.
“Is Parfen Semionovitch at home?” he asked.
| Rogojin roared with laughter. He laughed as though he were in a sort of fit. It was strange to see him laughing so after the sombre mood he had been in just before. |
“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!”
| When the prince did give the matter a little attention, he recalled the fact that during these days he had always found Lebedeff to be in radiantly good spirits, when they happened to meet; and further, that the general and Lebedeff were always together. The two friends did not seem ever to be parted for a moment. |
“You shall hear all this directly, gentlemen. I--I--listen!”
He bowed and retired without waiting for an answer.
| “Oh, why shouldn’t they laugh?” said the prince. “I shouldn’t have let the chance go by in their place, I know. But I stick up for the donkey, all the same; he’s a patient, good-natured fellow.” |
“Only because I seem to be giving you a lecture, all the time!”
Evgenie himself was very likely going abroad also; so were Prince S. and his wife, if affairs allowed of it; the general was to stay at home. They were all at their estate of Colmina now, about twenty miles or so from St. Petersburg. Princess Bielokonski had not returned to Moscow yet, and was apparently staying on for reasons of her own. Lizabetha Prokofievna had insisted that it was quite impossible to remain in Pavlofsk after what had happened. Evgenie had told her of all the rumours current in town about the affair; so that there could be no talk of their going to their house on the Yelagin as yet.
| “He really is very charming,” whispered the old dignitary to Ivan Petrovitch. |
Five years of this Petersburg life went by, and, of course, during that time a great deal happened. Totski’s position was very uncomfortable; having “funked” once, he could not totally regain his ease. He was afraid, he did not know why, but he was simply _afraid_ of Nastasia Philipovna. For the first two years or so he had suspected that she wished to marry him herself, and that only her vanity prevented her telling him so. He thought that she wanted him to approach her with a humble proposal from his own side. But to his great, and not entirely pleasurable amazement, he discovered that this was by no means the case, and that were he to offer himself he would be refused. He could not understand such a state of things, and was obliged to conclude that it was pride, the pride of an injured and imaginative woman, which had gone to such lengths that it preferred to sit and nurse its contempt and hatred in solitude rather than mount to heights of hitherto unattainable splendour. To make matters worse, she was quite impervious to mercenary considerations, and could not be bribed in any way.
“You see, I am going into the country myself in three days, with my children and belongings. The little one is delicate; she needs change of air; and during our absence this house will be done up. I am going to Pavlofsk.”| “There, you see! Even your own son supports my statement that there never was such a person as Captain Eropegoff!” that the old fellow muttered confusedly: |
“Prince,” whispered Hippolyte, suddenly, his eyes all ablaze, “you don’t suppose that I did not foresee all this hatred?” He looked at the prince as though he expected him to reply, for a moment. “Enough!” he added at length, and addressing the whole company, he cried: “It’s all my fault, gentlemen! Lebedeff, here’s the key,” (he took out a small bunch of keys); “this one, the last but one--Colia will show you--Colia, where’s Colia?” he cried, looking straight at Colia and not seeing him. “Yes, he’ll show you; he packed the bag with me this morning. Take him up, Colia; my bag is upstairs in the prince’s study, under the table. Here’s the key, and in the little case you’ll find my pistol and the powder, and all. Colia packed it himself, Mr. Lebedeff; he’ll show you; but it’s on condition that tomorrow morning, when I leave for Petersburg, you will give me back my pistol, do you hear? I do this for the prince’s sake, not yours.”
“No, sir--in the Bielomirsky; he changed into the latter shortly before his death. I was at his bedside when he died, and gave him my blessing for eternity. Your mother--” The general paused, as though overcome with emotion. “Oh, but think how delightful to hear how one’s friends lie! Besides you needn’t be afraid, Gania; everybody knows what your worst action is without the need of any lying on your part. Only think, gentlemen,”--and Ferdishenko here grew quite enthusiastic, “only think with what eyes we shall observe one another tomorrow, after our tales have been told!” “Oh, trust _him_ for that!” said Adelaida. “Evgenie Pavlovitch turns everything and everybody he can lay hold of to ridicule. You should hear the things he says sometimes, apparently in perfect seriousness.” “I don’t _hate_, I despise him,” said Gania, grandly. “Well, I do hate him, if you like!” he added, with a sudden access of rage, “and I’ll tell him so to his face, even when he’s dying! If you had but read his confession--good Lord! what refinement of impudence! Oh, but I’d have liked to whip him then and there, like a schoolboy, just to see how surprised he would have been! Now he hates everybody because he--Oh, I say, what on earth are they doing there! Listen to that noise! I really can’t stand this any longer. Ptitsin!” he cried, as the latter entered the room, “what in the name of goodness are we coming to? Listen to that--”