“I see what you are driving at,” said Nastasia Philipovna. “You imply that the prince is after the seventy-five thousand roubles--I quite understand you. Mr. Totski, I forgot to say, ‘Take your seventy-five thousand roubles’--I don’t want them. I let you go free for nothing--take your freedom! You must need it. Nine years and three months’ captivity is enough for anybody. Tomorrow I shall start afresh--today I am a free agent for the first time in my life.
“Ardalion Alexandrovitch Ivolgin,” said the smiling general, with a low bow of great dignity, “an old soldier, unfortunate, and the father of this family; but happy in the hope of including in that family so exquisite--”
“Whom? What power?” asked her mother, crossly.
“Even the porter does not know that I have come home now. I told him, and told them at my mother’s too, that I was off to Pavlofsk,” said Rogojin, with a cunning and almost satisfied smile. “We’ll go in quietly and nobody will hear us.”
“Gentlemen, I supposed from this that poor Mr. Burdovsky must be a simple-minded man, quite defenceless, and an easy tool in the hands of rogues. That is why I thought it my duty to try and help him as ‘Pavlicheff’s son’; in the first place by rescuing him from the influence of Tchebaroff, and secondly by making myself his friend. I have resolved to give him ten thousand roubles; that is about the sum which I calculate that Pavlicheff must have spent on me.”
“It was just a minute before the execution,” began the prince, readily, carried away by the recollection and evidently forgetting everything else in a moment; “just at the instant when he stepped off the ladder on to the scaffold. He happened to look in my direction: I saw his eyes and understood all, at once--but how am I to describe it? I do so wish you or somebody else could draw it, you, if possible. I thought at the time what a picture it would make. You must imagine all that went before, of course, all--all. He had lived in the prison for some time and had not expected that the execution would take place for at least a week yet--he had counted on all the formalities and so on taking time; but it so happened that his papers had been got ready quickly. At five o’clock in the morning he was asleep--it was October, and at five in the morning it was cold and dark. The governor of the prison comes in on tip-toe and touches the sleeping man’s shoulder gently. He starts up. ‘What is it?’ he says. ‘The execution is fixed for ten o’clock.’ He was only just awake, and would not believe at first, but began to argue that his papers would not be out for a week, and so on. When he was wide awake and realized the truth, he became very silent and argued no more--so they say; but after a bit he said: ‘It comes very hard on one so suddenly’ and then he was silent again and said nothing.
The prince rose.“No, I have forgotten nothing. Come! This is the house--up this magnificent staircase. I am surprised not to see the porter, but .... it is a holiday... and the man has gone off... Drunken fool! Why have they not got rid of him? Sokolovitch owes all the happiness he has had in the service and in his private life to me, and me alone, but... here we are.”
A week had elapsed since the rendezvous of our two friends on the green bench in the park, when, one fine morning at about half-past ten o’clock, Varvara Ardalionovna, otherwise Mrs. Ptitsin, who had been out to visit a friend, returned home in a state of considerable mental depression.“Well--how am I to explain? He was very anxious that we should all come around him, and say we were so sorry for him, and that we loved him very much, and all that; and that we hoped he wouldn’t kill himself, but remain alive. Very likely he thought more of you than the rest of us, because he mentioned you at such a moment, though perhaps he did not know himself that he had you in his mind’s eye.”
“Excuse me, Nastasia Philipovna,” interrupted the general, with chivalric generosity. “To whom are you speaking? I have remained until now simply because of my devotion to you, and as for danger, I am only afraid that the carpets may be ruined, and the furniture smashed!... You should shut the door on the lot, in my opinion. But I confess that I am extremely curious to see how it ends.”| “Add to all this your nervous nature, your epilepsy, and your sudden arrival in a strange town--the day of meetings and of exciting scenes, the day of unexpected acquaintanceships, the day of sudden actions, the day of meeting with the three lovely Epanchin girls, and among them Aglaya--add your fatigue, your excitement; add Nastasia’ s evening party, and the tone of that party, and--what were you to expect of yourself at such a moment as that?” |
| “I have not seen all kinds of liberals, and cannot, therefore, set myself up as a judge,” said Alexandra, “but I have heard all you have said with indignation. You have taken some accidental case and twisted it into a universal law, which is unjust.” |
| “You thought I should accept this good child’s invitation to ruin him, did you?” she cried. “That’s Totski’s way, not mine. He’s fond of children. Come along, Rogojin, get your money ready! We won’t talk about marrying just at this moment, but let’s see the money at all events. Come! I may not marry you, either. I don’t know. I suppose you thought you’d keep the money, if I did! Ha, ha, ha! nonsense! I have no sense of shame left. I tell you I have been Totski’s concubine. Prince, you must marry Aglaya Ivanovna, not Nastasia Philipovna, or this fellow Ferdishenko will always be pointing the finger of scorn at you. You aren’t afraid, I know; but I should always be afraid that I had ruined you, and that you would reproach me for it. As for what you say about my doing you honour by marrying you--well, Totski can tell you all about that. You had your eye on Aglaya, Gania, you know you had; and you might have married her if you had not come bargaining. You are all like this. You should choose, once for all, between disreputable women, and respectable ones, or you are sure to get mixed. Look at the general, how he’s staring at me!” |
| “P.P.S.--It is the same green bench that I showed you before. There! aren’t you ashamed of yourself? I felt that it was necessary to repeat even that information.” |
| “Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people. |
| This was odd of Lizabetha Prokofievna and her daughters. They had themselves decided that it would be better if the prince did not talk all the evening. Yet seeing him sitting silent and alone, but perfectly happy, they had been on the point of exerting themselves to draw him into one of the groups of talkers around the room. Now that he was in the midst of a talk they became more than ever anxious and perturbed. |
| The rest of the guests (an old tutor or schoolmaster, goodness knows why invited; a young man, very timid, and shy and silent; a rather loud woman of about forty, apparently an actress; and a very pretty, well-dressed German lady who hardly said a word all the evening) not only had no gift for enlivening the proceedings, but hardly knew what to say for themselves when addressed. Under these circumstances the arrival of the prince came almost as a godsend. |
| This was odd of Lizabetha Prokofievna and her daughters. They had themselves decided that it would be better if the prince did not talk all the evening. Yet seeing him sitting silent and alone, but perfectly happy, they had been on the point of exerting themselves to draw him into one of the groups of talkers around the room. Now that he was in the midst of a talk they became more than ever anxious and perturbed. |
| “Don’t apologize,” said Nastasia, laughing; “you spoil the whole originality of the thing. I think what they say about you must be true, that you are so original.--So you think me perfection, do you?” |
| “I haven’t seen him once--since that day!” the prince murmured. |
“Not railways, properly speaking, presumptuous youth, but the general tendency of which railways may be considered as the outward expression and symbol. We hurry and push and hustle, for the good of humanity! ‘The world is becoming too noisy, too commercial!’ groans some solitary thinker. ‘Undoubtedly it is, but the noise of waggons bearing bread to starving humanity is of more value than tranquillity of soul,’ replies another triumphantly, and passes on with an air of pride. As for me, I don’t believe in these waggons bringing bread to humanity. For, founded on no moral principle, these may well, even in the act of carrying bread to humanity, coldly exclude a considerable portion of humanity from enjoying it; that has been seen more than once.”
The warning was certainly unnecessary; for the prince would not have said a word all the rest of the time whether forbidden to speak or not. His heart beat loud and painfully when Aglaya spoke of the bench; could she--but no! he banished the thought, after an instant’s deliberation.
“Such beauty is real power,” said Adelaida. “With such beauty as that one might overthrow the world.” She returned to her easel thoughtfully.“But I told you she is not at Pavlofsk. And what would be the use if she were?”
| “Oh, what a dreadful calamity! A wretched vase smashed, and a man half dead with remorse about it,” said Lizabetha Prokofievna, loudly. “What made you so dreadfully startled, Lef Nicolaievitch?” she added, a little timidly. “Come, my dear boy! cheer up. You really alarm me, taking the accident so to heart.” |
There were a few seconds of dead silence.
| “Certainly not.” |
“What is that?” asked Nastasia Philipovna, gazing intently at Rogojin, and indicating the paper packet.
| “Ha, ha! I never supposed you would say ‘yes,’” cried Rogojin, laughing sardonically. |
“No--I know nothing about it,” said Nastasia, drily and abruptly.
| “Ah that is the secret,” said Lebedeff, with a smile. |
The clerk, rather confused, tried to say something, hesitated, began to speak, and again stopped. The prince looked at him gravely.
“Of course not,” replied the prince; “there are none, except myself. I believe I am the last and only one. As to my forefathers, they have always been a poor lot; my own father was a sublieutenant in the army. I don’t know how Mrs. Epanchin comes into the Muishkin family, but she is descended from the Princess Muishkin, and she, too, is the last of her line.”“And pray what _is_ my position, madame? I have the greatest respect for you, personally; but--”
“Probably there’s some new silliness about it,” said Mrs. Epanchin, sarcastically.| “I’ve covered her with oilcloth--best American oilcloth, and put the sheet over that, and four jars of disinfectant, on account of the smell--as they did at Moscow--you remember? And she’s lying so still; you shall see, in the morning, when it’s light. What! can’t you get up?” asked Rogojin, seeing the other was trembling so that he could not rise from his seat. |
“Why, open it, for the time being, don’t you know?” he said, most confidentially and mysteriously.
“Rogojin? No, no, my good fellow. I should strongly recommend you, paternally,--or, if you prefer it, as a friend,--to forget all about Rogojin, and, in fact, to stick to the family into which you are about to enter.”It was clear that he came out with these words quite spontaneously, on the spur of the moment. But his speech was productive of much--for it appeared that all Gania’s rage now overflowed upon the prince. He seized him by the shoulder and gazed with an intensity of loathing and revenge at him, but said nothing--as though his feelings were too strong to permit of words.