All this filled poor Lizabetha’s mind with chaotic confusion. What on earth did it all mean? The most disturbing feature was the hedgehog. What was the symbolic signification of a hedgehog? What did they understand by it? What underlay it? Was it a cryptic message?

“Well, but--have you taken the purse away now?”

“I don’t know; I always feel like that when I look at the beauties of nature for the first time; but then, I was ill at that time, of course!”

“Very well, we’ll drop it for a while. You can’t look at anything but in your exalted, generous way. You must put out your finger and touch a thing before you’ll believe it, eh? Ha! ha! ha! I suppose you despise me dreadfully, prince, eh? What do you think?”
The amiable and undoubtedly witty Prince N. could not but feel that he was as a sun, risen for one night only to shine upon the Epanchin drawing-room. He accounted them immeasurably his inferiors, and it was this feeling which caused his special amiability and delightful ease and grace towards them. He knew very well that he must tell some story this evening for the edification of the company, and led up to it with the inspiration of anticipatory triumph.
“Of course not--of course not!--bah! The criminal was a fine intelligent fearless man; Le Gros was his name; and I may tell you--believe it or not, as you like--that when that man stepped upon the scaffold he _cried_, he did indeed,--he was as white as a bit of paper. Isn’t it a dreadful idea that he should have cried--cried! Whoever heard of a grown man crying from fear--not a child, but a man who never had cried before--a grown man of forty-five years. Imagine what must have been going on in that man’s mind at such a moment; what dreadful convulsions his whole spirit must have endured; it is an outrage on the soul that’s what it is. Because it is said ‘thou shalt not kill,’ is he to be killed because he murdered some one else? No, it is not right, it’s an impossible theory. I assure you, I saw the sight a month ago and it’s dancing before my eyes to this moment. I dream of it, often.”
“What, you here too, prince?” said Rogojin, absently, but a little surprised all the same “Still in your gaiters, eh?” He sighed, and forgot the prince next moment, and his wild eyes wandered over to Nastasia again, as though attracted in that direction by some magnetic force. “Come along!” shouted Rogojin, beside himself with joy. “Hey! all of you fellows! Wine! Round with it! Fill the glasses!” Rogojin stopped and looked at him; then reflected, and replied as though he had not heard the question:
It was clear that she had been merely passing through the room from door to door, and had not had the remotest notion that she would meet anyone.
He opened the door just enough to let his head in. His head remained so placed for a few seconds while he quietly scrutinized the room; the door then opened enough to admit his body; but still he did not enter. He stood on the threshold and examined the prince carefully. At last he gave the door a final shove, entered, approached the prince, took his hand and seated himself and the owner of the room on two chairs side by side.
“I don’t understand your thoughts, Lizabetha Prokofievna; but I can see that the fact of my having written is for some reason repugnant to you. You must admit that I have a perfect right to refuse to answer your questions; but, in order to show you that I am neither ashamed of the letter, nor sorry that I wrote it, and that I am not in the least inclined to blush about it” (here the prince’s blushes redoubled), “I will repeat the substance of my letter, for I think I know it almost by heart.”
“Yes, I have,” and the prince stopped again.
“Hadn’t we better hear it tomorrow?” asked the prince timidly.

“Yes, I am invited,” he replied.

Besides the elevated and more solid individuals enumerated, there were present a few younger though not less elegant guests. Besides Prince S. and Evgenie Pavlovitch, we must name the eminent and fascinating Prince N.--once the vanquisher of female hearts all over Europe. This gentleman was no longer in the first bloom of youth--he was forty-five, but still very handsome. He was well off, and lived, as a rule, abroad, and was noted as a good teller of stories. Then came a few guests belonging to a lower stratum of society--people who, like the Epanchins themselves, moved only occasionally in this exalted sphere. The Epanchins liked to draft among their more elevated guests a few picked representatives of this lower stratum, and Lizabetha Prokofievna received much praise for this practice, which proved, her friends said, that she was a woman of tact. The Epanchins prided themselves upon the good opinion people held of them.

“Oh--if that is the state of affairs--” began Gania.

“I think you are wandering a little, prince,” Mrs. Epanchin decided, after a lengthened survey of his face; and she tossed the portrait on to the table, haughtily.

“What! that I’ll cut her throat, you mean?”

The old man tried to put a good face on the affair.

“I knew it was all a joke!” cried Adelaida. “I felt it ever since--since the hedgehog.”
“I determined to die at Pavlofsk at sunrise, in the park--so as to make no commotion in the house.
“Certainly not; what are you thinking of? What could have induced you to ask such a question?” she replied, quietly and seriously, and even, apparently, with some astonishment.
“Do you ever give him money?”
He grew very wroth and confused when the prince asked for the portrait, and explained how it came about that he had spoken of it.

“Well, you’d better stay here, all of you, for a little, and I’ll go down to him alone to begin with. I’ll just go in and then you can follow me almost at once. That’s the best way.”

“What, about that boy, you mean? Oh dear no, yesterday my ideas were a little--well--mixed. Today, I assure you, I shall not oppose in the slightest degree any suggestions it may please you to make.”
He turned his head towards her and glanced at her black and (for some reason) flashing eyes, tried to smile, and then, apparently forgetting her in an instant, turned to the right once more, and continued to watch the startling apparition before him.
The prince was touched; he took Gania’s hands, and embraced him heartily, while each kissed the other.
“But enough!” he cried, suddenly. “I see I have been boring you with my--”
“What an extraordinary person you are, prince! Do you mean to say that you doubt the fact that he is capable of murdering ten men?”
He burst out laughing again, but it was the laughter of a madman. Lizabetha Prokofievna approached him anxiously and seized his arm. He stared at her for a moment, still laughing, but soon his face grew serious.
“What nonsense!”
“She ought to be whipped--that’s the only way to deal with creatures like that--she ought to be whipped!”
Our friend, Gania, belonged to the other class--to the “much cleverer” persons, though he was from head to foot permeated and saturated with the longing to be original. This class, as I have said above, is far less happy. For the “clever commonplace” person, though he may possibly imagine himself a man of genius and originality, none the less has within his heart the deathless worm of suspicion and doubt; and this doubt sometimes brings a clever man to despair. (As a rule, however, nothing tragic happens;--his liver becomes a little damaged in the course of time, nothing more serious. Such men do not give up their aspirations after originality without a severe struggle,--and there have been men who, though good fellows in themselves, and even benefactors to humanity, have sunk to the level of base criminals for the sake of originality).
The occurrence at the Vauxhall had filled both mother and daughters with something like horror. In their excitement Lizabetha Prokofievna and the girls were nearly running all the way home.
“Oh, Lebedeff, Lebedeff! Can a man really sink to such depths of meanness?” said the prince, sadly.

“Why? Nobody would ever challenge me to a duel!”

“Give me a chair!” cried Lizabetha Prokofievna, but she seized one for herself and sat down opposite to Hippolyte. “Colia, you must go home with him,” she commanded, “and tomorrow I will come my self.”
“Gania and Varia and Ptitsin are a worthless lot! I shall not quarrel with them; but from this moment our feet shall not travel the same road. Oh, prince, I have felt much that is quite new to me since yesterday! It is a lesson for me. I shall now consider my mother as entirely my responsibility; though she may be safe enough with Varia. Still, meat and drink is not everything.”

“Well--just for one second, then. The fact is, I came for advice. Of course I live now without any very practical objects in life; but, being full of self-respect, in which quality the ordinary Russian is so deficient as a rule, and of activity, I am desirous, in a word, prince, of placing myself and my wife and children in a position of--in fact, I want advice.”

And as to her face, could it inspire nothing but passion? Could her face inspire passion at all now? Oh, it inspired suffering, grief, overwhelming grief of the soul! A poignant, agonizing memory swept over the prince’s heart.

Little by little he became very happy indeed. All his late anxieties and apprehensions (after his conversation with Lebedeff) now appeared like so many bad dreams--impossible, and even laughable.

The trip abroad might have been enjoyed later on by Mrs. Epanchin and her two remaining daughters, but for another circumstance.
Poor General Epanchin “put his foot in it” by answering the above questions in his own way. He said there was no cryptic message at all. As for the hedgehog, it was just a hedgehog, which meant nothing--unless, indeed, it was a pledge of friendship,--the sign of forgetting of offences and so on. At all events, it was a joke, and, of course, a most pardonable and innocent one.

“Hush! hush! Gavrila Ardalionovitch!” cried Muishkin in dismay, but it was too late.

“I know that, father. Look here, dear old father, come back home! Let’s go back to mother. Look, she ran after us when we came out. What have you stopped her for, just as though you didn’t take in what I said? Why are you crying, father?”
“I long sought to meet Marie alone; and at last I did meet her, on the hillside beyond the village. I gave her the eight francs and asked her to take care of the money because I could get no more; and then I kissed her and said that she was not to suppose I kissed her with any evil motives or because I was in love with her, for that I did so solely out of pity for her, and because from the first I had not accounted her as guilty so much as unfortunate. I longed to console and encourage her somehow, and to assure her that she was not the low, base thing which she and others strove to make out; but I don’t think she understood me. She stood before me, dreadfully ashamed of herself, and with downcast eyes; and when I had finished she kissed my hand. I would have kissed hers, but she drew it away. Just at this moment the whole troop of children saw us. (I found out afterwards that they had long kept a watch upon me.) They all began whistling and clapping their hands, and laughing at us. Marie ran away at once; and when I tried to talk to them, they threw stones at me. All the village heard of it the same day, and Marie’s position became worse than ever. The children would not let her pass now in the streets, but annoyed her and threw dirt at her more than before. They used to run after her--she racing away with her poor feeble lungs panting and gasping, and they pelting her and shouting abuse at her.