| “Aglaya, don’t! This is unfair,” cried the prince, deeply distressed. |
“And she gave it you to read herself--_herself?_”
“Then at all events he knows her!” remarked the prince, after a moment’s silence.
| “But, my goodness me,” laughed Ivan Petrovitch, “why can’t I be cousin to even a splendid man?” |
At last they left the house behind them, the prince carrying his bundle.
“And you are _not_, I presume, eh?”
“The devil knows what it means,” growled Ivan Fedorovitch, under his breath; “it must have taken the united wits of fifty footmen to write it.”
“Hey! that’s it! You stumped up your money for nothing, and we believe in those fellows, here!” remarked the black-haired individual, sarcastically.
The prince, when he heard the story afterwards, felt that he had never yet come across so wonderful a humorist, or such remarkable brilliancy as was shown by this man; and yet if he had only known it, this story was the oldest, stalest, and most worn-out yarn, and every drawing-room in town was sick to death of it. It was only in the innocent Epanchin household that it passed for a new and brilliant tale--as a sudden and striking reminiscence of a splendid and talented man.
“At any rate, your uncle has a kind heart,” remarked the prince, who really had to force himself to speak to the nephew, so much did he dislike him.
“To this keen question I replied as keenly, ‘The Russian heart can recognize a great man even in the bitter enemy of his country.’ At least, I don’t remember the exact words, you know, but the idea was as I say. Napoleon was struck; he thought a minute and then said to his suite: ‘I like that boy’s pride; if all Russians think like this child, then--’ he didn’t finish, but went on and entered the palace. I instantly mixed with his suite, and followed him. I was already in high favour. I remember when he came into the first hall, the emperor stopped before a portrait of the Empress Katherine, and after a thoughtful glance remarked, ‘That was a great woman,’ and passed on.
Nastasia smiled amiably at him; but evidently her depression and irritability were increasing with every moment. Totski was dreadfully alarmed to hear her promise a revelation out of her own life.
| “No, no, excuse me! I’m master of this house, though I do not wish to lack respect towards you. You are master of the house too, in a way; but I can’t allow this sort of thing--” |
Suddenly, a quarter of an hour after the prince’s departure, Aglaya had rushed out of her room in such a hurry that she had not even wiped her eyes, which were full of tears. She came back because Colia had brought a hedgehog. Everybody came in to see the hedgehog. In answer to their questions Colia explained that the hedgehog was not his, and that he had left another boy, Kostia Lebedeff, waiting for him outside. Kostia was too shy to come in, because he was carrying a hatchet; they had bought the hedgehog and the hatchet from a peasant whom they had met on the road. He had offered to sell them the hedgehog, and they had paid fifty copecks for it; and the hatchet had so taken their fancy that they had made up their minds to buy it of their own accord. On hearing this, Aglaya urged Colia to sell her the hedgehog; she even called him “dear Colia,” in trying to coax him. He refused for a long time, but at last he could hold out no more, and went to fetch Kostia Lebedeff. The latter appeared, carrying his hatchet, and covered with confusion. Then it came out that the hedgehog was not theirs, but the property of a schoolmate, one Petroff, who had given them some money to buy Schlosser’s History for him, from another schoolfellow who at that moment was driven to raising money by the sale of his books. Colia and Kostia were about to make this purchase for their friend when chance brought the hedgehog to their notice, and they had succumbed to the temptation of buying it. They were now taking Petroff the hedgehog and hatchet which they had bought with his money, instead of Schlosser’s History. But Aglaya so entreated them that at last they consented to sell her the hedgehog. As soon as she had got possession of it, she put it in a wicker basket with Colia’s help, and covered it with a napkin. Then she said to Colia: “Go and take this hedgehog to the prince from me, and ask him to accept it as a token of my profound respect.” Colia joyfully promised to do the errand, but he demanded explanations. “What does the hedgehog mean? What is the meaning of such a present?” Aglaya replied that it was none of his business. “I am sure that there is some allegory about it,” Colia persisted. Aglaya grew angry, and called him “a silly boy.” “If I did not respect all women in your person,” replied Colia, “and if my own principles would permit it, I would soon prove to you, that I know how to answer such an insult!” But, in the end, Colia went off with the hedgehog in great delight, followed by Kostia Lebedeff. Aglaya’s annoyance was soon over, and seeing that Colia was swinging the hedgehog’s basket violently to and fro, she called out to him from the verandah, as if they had never quarrelled: “Colia, dear, please take care not to drop him!” Colia appeared to have no grudge against her, either, for he stopped, and answered most cordially: “No, I will not drop him! Don’t be afraid, Aglaya Ivanovna!” After which he went on his way. Aglaya burst out laughing and ran up to her room, highly delighted. Her good spirits lasted the whole day.
“Never told either him or me?” cried Aglaya. “How about your letters? Who asked you to try to persuade me to marry him? Was not that a declaration from you? Why do you force yourself upon us in this way? I confess I thought at first that you were anxious to arouse an aversion for him in my heart by your meddling, in order that I might give him up; and it was only afterwards that I guessed the truth. You imagined that you were doing an heroic action! How could you spare any love for him, when you love your own vanity to such an extent? Why could you not simply go away from here, instead of writing me those absurd letters? Why do you not _now_ marry that generous man who loves you, and has done you the honour of offering you his hand? It is plain enough why; if you marry Rogojin you lose your grievance; you will have nothing more to complain of. You will be receiving too much honour. Evgenie Pavlovitch was saying the other day that you had read too many poems and are too well educated for--your position; and that you live in idleness. Add to this your vanity, and, there you have reason enough--”
“No--in anger, perhaps. Oh yes! she reproached me dreadfully in anger; and suffered herself, too! But afterwards--oh! don’t remind me--don’t remind me of that!”
| “Oh, Mr. Lebedeff, I am told you lecture on the Apocalypse. Is it true?” asked Aglaya. |
“Yesterday! Morning or evening? Before the music or after?”
“Oh, if you put it in that way,” cried the general, excitedly, “I’m ready to tell the whole story of my life, but I must confess that I prepared a little story in anticipation of my turn.”
| “Yes, I saw her, and got the said slap in the face as mentioned. She chucked the letter back to me unopened, and kicked me out of the house, morally, not physically, although not far off it.” |
| Lebedeff, who was slightly intoxicated, answered with a sigh: |
“Yes, I am Rogojin, Parfen Rogojin.”
“What’s that got to do with it?” asked the general, who loathed Ferdishenko.
| He took up the portrait, and went out of the room. |
| “Look here, Aglaya--” began the general. |
“Never mind, never mind,” said the prince, signing to him to keep quiet.
“Why, did you say--” began the prince, and paused in confusion.
“Nastasia Philipovna,” murmured the prince.
“Wheugh! my goodness!” The black-haired young fellow whistled, and then laughed.
“I believe I have just written dreadful nonsense; but there’s no time for correcting, as I said before. Besides that, I have made myself a promise not to alter a single word of what I write in this paper, even though I find that I am contradicting myself every five lines. I wish to verify the working of the natural logic of my ideas tomorrow during the reading--whether I am capable of detecting logical errors, and whether all that I have meditated over during the last six months be true, or nothing but delirium.
“I have no idea,” replied General Ivolgin, who presided with much gravity.
With a few exceptions, the worthy couple had lived through their long union very happily. While still young the wife had been able to make important friends among the aristocracy, partly by virtue of her family descent, and partly by her own exertions; while, in after life, thanks to their wealth and to the position of her husband in the service, she took her place among the higher circles as by right.
“I don’t know whether I did or not,” said Rogojin, drily, seeming to be a little astonished at the question, and not quite taking it in.
“Get away!” he shouted frantically, observing that Daria Alexeyevna was approaching to protest against Nastasia’s conduct. “Get away, she’s mine, everything’s mine! She’s a queen, get away!”
| Aglaya looked menacingly at her laughing sisters, but could not contain herself any longer, and the next minute she too had burst into an irrepressible, and almost hysterical, fit of mirth. At length she jumped up, and ran out of the room. |
But the situation was becoming rapidly critical.
She hated the idea of it, everyone saw that; and she would probably have liked to quarrel about it with her parents, but pride and modesty prevented her from broaching the subject.
| “Yes, you are quite right. Oh! I feel that I am very guilty!” said Muishkin, in deepest distress. |
| “Yes, they’ll be awfully annoyed if they don’t see it.” |
So at the risk of missing General Epanchin altogether, and thus postponing his visit to Pavlofsk for a day, at least, the prince decided to go and look for the house he desired to find.
“I should think so, rather! I was not going to return and confess next day,” laughed Ferdishenko, who seemed a little surprised at the disagreeable impression which his story had made on all parties.
| “Did it succeed?” asked Nastasia Philipovna. “Come, let’s try it, let’s try it; we really are not quite so jolly as we might be--let’s try it! We may like it; it’s original, at all events!” |
“No, they did not cure me.”
“H’m! you spent your postage for nothing, then. H’m! you are candid, however--and that is commendable. H’m! Mrs. Epanchin--oh yes! a most eminent person. I know her. As for Mr. Pavlicheff, who supported you in Switzerland, I know him too--at least, if it was Nicolai Andreevitch of that name? A fine fellow he was--and had a property of four thousand souls in his day.”
“Well, very well, very well!” she said, but quite in a different tone. She was remorseful now, and bent forward to touch his shoulder, though still trying not to look him in the face, as if the more persuasively to beg him not to be angry with her. “Very well,” she continued, looking thoroughly ashamed of herself, “I feel that I said a very foolish thing. I only did it just to try you. Take it as unsaid, and if I offended you, forgive me. Don’t look straight at me like that, please; turn your head away. You called it a ‘horrible idea’; I only said it to shock you. Very often I am myself afraid of saying what I intend to say, and out it comes all the same. You have just told me that you wrote that letter at the most painful moment of your life. I know what moment that was!” she added softly, looking at the ground again.
| He took up the portrait, and went out of the room. |
And as to her face, could it inspire nothing but passion? Could her face inspire passion at all now? Oh, it inspired suffering, grief, overwhelming grief of the soul! A poignant, agonizing memory swept over the prince’s heart.
“Do you know, I like you very much indeed, prince? I shall never forget about this afternoon.”
When recalling all this afterwards the prince could not for the life of him understand how to reconcile the beautiful, sincere, pure nature of the girl with the irony of this jest. That it was a jest there was no doubt whatever; he knew that well enough, and had good reason, too, for his conviction; for during her recitation of the ballad Aglaya had deliberately changed the letters A. N. B. into N. P. B. He was quite sure she had not done this by accident, and that his ears had not deceived him. At all events her performance--which was a joke, of course, if rather a crude one,--was premeditated. They had evidently talked (and laughed) over the ‘poor knight’ for more than a month.
“I hardly dare say,” said Lizabetha, as hurriedly, “but I think it’s as plain as anything can be.”
“Of course; quite so. In that case it all depends upon what is going on in her brain at this moment.”
“It is accursed, certainly accursed!” replied the clerk, vehemently.
“I believe it is the absolute truth.”
The prince commended his aspirations with warmth.
“Oh! I _know_ you haven’t read it, and that you could never be that man’s accomplice. Read it, I wish you to read it.”
| “Do you mean especially this kind?” |
| “Where have you dropped from?” cried the prince. |
“‘Camellias!’ I said, ‘father, save me, save me, let me have some camellias!’ He was a tall, grey old man--a terrible-looking old gentleman. ‘Not a bit of it,’ he says. ‘I won’t.’ Down I went on my knees. ‘Don’t say so, don’t--think what you’re doing!’ I cried; ‘it’s a matter of life and death!’ ‘If that’s the case, take them,’ says he. So up I get, and cut such a bouquet of red camellias! He had a whole greenhouse full of them--lovely ones. The old fellow sighs. I pull out a hundred roubles. ‘No, no!’ says he, ‘don’t insult me that way.’ ‘Oh, if that’s the case, give it to the village hospital,’ I say. ‘Ah,’ he says, ‘that’s quite a different matter; that’s good of you and generous. I’ll pay it in there for you with pleasure.’ I liked that old fellow, Russian to the core, _de la vraie souche_. I went home in raptures, but took another road in order to avoid Peter. Immediately on arriving I sent up the bouquet for Anfisa to see when she awoke.