Not only was there no trace of her former irony, of her old hatred and enmity, and of that dreadful laughter, the very recollection of which sent a cold chill down Totski’s back to this very day; but she seemed charmed and really glad to have the opportunity of talking seriously with him for once in a way. She confessed that she had long wished to have a frank and free conversation and to ask for friendly advice, but that pride had hitherto prevented her; now, however, that the ice was broken, nothing could be more welcome to her than this opportunity. “Vera Lukianovna,” said Hippolyte, “toss it, will you? Heads, I read, tails, I don’t.”
“No, it is impossible for me to come to your house again,” he added slowly.
“My father picked up all these pictures very cheap at auctions, and so on,” he said; “they are all rubbish, except the one over the door, and that is valuable. A man offered five hundred roubles for it last week.”
But the prince was not satisfied with what he had said to Rogojin. Only at this moment, when she suddenly made her appearance before him, did he realize to the full the exact emotion which she called up in him, and which he had not described correctly to Rogojin.
“I think so too, as clear as day; she loves him.”
“Oh! how ashamed you will be of this afterwards!”

“What are you dreaming of?” said poor, frightened Colia, stooping down towards the old man, all the same.

“If two months since I had been called upon to leave my room and the view of Meyer’s wall opposite, I verily believe I should have been sorry. But now I have no such feeling, and yet I am leaving this room and Meyer’s brick wall _for ever_. So that my conclusion, that it is not worth while indulging in grief, or any other emotion, for a fortnight, has proved stronger than my very nature, and has taken over the direction of my feelings. But is it so? Is it the case that my nature is conquered entirely? If I were to be put on the rack now, I should certainly cry out. I should not say that it is not worth while to yell and feel pain because I have but a fortnight to live.
“What delightful writing materials you have here, such a lot of pencils and things, and what beautiful paper! It’s a charming room altogether. I know that picture, it’s a Swiss view. I’m sure the artist painted it from nature, and that I have seen the very place--”
“I did not confess anything to you,” said the prince, blushing. “I only answered your question.”
“There is no silliness about it at all--only the profoundest respect,” said Aglaya, very seriously. She had quite recovered her temper; in fact, from certain signs, it was fair to conclude that she was delighted to see this joke going so far; and a careful observer might have remarked that her satisfaction dated from the moment when the fact of the prince’s confusion became apparent to all.
“Well, what conclusion have you reached?”
“I must see it!” cried Mrs. Epanchin. “Where is the portrait? If she gave it to him, he must have it; and he is still in the study. He never leaves before four o’clock on Wednesdays. Send for Gavrila Ardalionovitch at once. No, I don’t long to see _him_ so much. Look here, dear prince, _be_ so kind, will you? Just step to the study and fetch this portrait! Say we want to look at it. Please do this for me, will you?”
The Epanchins heard about this, as well as about the episode at Nastasia Philipovna’s. It was strange, perhaps, that the facts should become so quickly, and fairly accurately, known. As far as Gania was concerned, it might have been supposed that the news had come through Varvara Ardalionovna, who had suddenly become a frequent visitor of the Epanchin girls, greatly to their mother’s surprise. But though Varvara had seen fit, for some reason, to make friends with them, it was not likely that she would have talked to them about her brother. She had plenty of pride, in spite of the fact that in thus acting she was seeking intimacy with people who had practically shown her brother the door. She and the Epanchin girls had been acquainted in childhood, although of late they had met but rarely. Even now Varvara hardly ever appeared in the drawing-room, but would slip in by a back way. Lizabetha Prokofievna, who disliked Varvara, although she had a great respect for her mother, was much annoyed by this sudden intimacy, and put it down to the general “contrariness” of her daughters, who were “always on the lookout for some new way of opposing her.” Nevertheless, Varvara continued her visits.
“Yesterday morning the prince came to see me. Among other things he asked me to come down to his villa. I knew he would come and persuade me to this step, and that he would adduce the argument that it would be easier for me to die ‘among people and green trees,’--as he expressed it. But today he did not say ‘die,’ he said ‘live.’ It is pretty much the same to me, in my position, which he says. When I asked him why he made such a point of his ‘green trees,’ he told me, to my astonishment, that he had heard that last time I was in Pavlofsk I had said that I had come ‘to have a last look at the trees.’

“No, no, general!” she cried. “You had better look out! I am the princess now, you know. The prince won’t let you insult me. Afanasy Ivanovitch, why don’t you congratulate me? I shall be able to sit at table with your new wife, now. Aha! you see what I gain by marrying a prince! A million and a half, and a prince, and an idiot into the bargain, they say. What better could I wish for? Life is only just about to commence for me in earnest. Rogojin, you are a little too late. Away with your paper parcel! I’m going to marry the prince; I’m richer than you are now.”

Whether she were a woman who had read too many poems, as Evgenie Pavlovitch supposed, or whether she were mad, as the prince had assured Aglaya, at all events, this was a woman who, in spite of her occasionally cynical and audacious manner, was far more refined and trustful and sensitive than appeared. There was a certain amount of romantic dreaminess and caprice in her, but with the fantastic was mingled much that was strong and deep.

Here he rose again from his chair, so that it seemed strange that he should have thought it worth while to sit down at all.

“Gentlemen, wouldn’t you like a little champagne now?” she asked. “I have it all ready; it will cheer us up--do now--no ceremony!”
He was not allowed to finish his sentence. Somebody pushed him back into his chair, and begged him to be calm. Nina Alexandrovna trembled, and cried quietly. Gania retired to the window in disgust.
“I am well enough; but is it really possible?--”
So saying, the prince approached Aglaya.
The general wandered on in this disconnected way for a long time; it was clear that he was much disturbed by some circumstance which he could make nothing of.
“With pleasure! In fact, it is very necessary. I like your readiness, prince; in fact, I must say--I--I--like you very well, altogether,” said the general.
It would be difficult to describe her thoughts at that moment. One of them was, “Shall I show it to anyone?” But she was ashamed to show it. So she ended by hiding it in her table drawer, with a very strange, ironical smile upon her lips. “And how do you know that I am ‘so happy’?”
“Oh, he is much more likely not to kill anyone at all,” said the prince, gazing thoughtfully at Evgenie. The latter laughed disagreeably.
Aglaya had not foreseen that particular calamity. She herself looked wonderfully beautiful this evening. All three sisters were dressed very tastefully, and their hair was done with special care.

Yet Aglaya had brought out these letters N. P. B. not only without the slightest appearance of irony, or even any particular accentuation, but with so even and unbroken an appearance of seriousness that assuredly anyone might have supposed that these initials were the original ones written in the ballad. The thing made an uncomfortable impression upon the prince. Of course Mrs. Epanchin saw nothing either in the change of initials or in the insinuation embodied therein. General Epanchin only knew that there was a recitation of verses going on, and took no further interest in the matter. Of the rest of the audience, many had understood the allusion and wondered both at the daring of the lady and at the motive underlying it, but tried to show no sign of their feelings. But Evgenie Pavlovitch (as the prince was ready to wager) both comprehended and tried his best to show that he comprehended; his smile was too mocking to leave any doubt on that point.

“Nicolai Ardalionovitch!” said Lebedeff, in a most amiable tone of voice, addressing the boy. “As I have a communication to make to the prince which concerns only myself--”
Seeing that the prince was considerably struck by the fact that he had twice seized this knife out of his hand, Rogojin caught it up with some irritation, put it inside the book, and threw the latter across to another table.
“Don’t you see he is a lunatic, prince?” whispered Evgenie Pavlovitch in his ear. “Someone told me just now that he is a bit touched on the subject of lawyers, that he has a mania for making speeches and intends to pass the examinations. I am expecting a splendid burlesque now.”
“Ah!” she added, as Gania suddenly entered the room, “here’s another marrying subject. How do you do?” she continued, in response to Gania’s bow; but she did not invite him to sit down. “You are going to be married?”
“I never thought of such a thing for a moment,” said the prince, with disgust.
But they all laughed on.
“Ah! that’s it, no doubt!”