“Aha! I think you are growing less cool, my friend, and are beginning to be a trifle surprised, aren’t you? I’m glad that you are not above ordinary human feelings, for once. I’ll console you a little now, after your consternation. See what I get for serving a young and high-souled maiden! This morning I received a slap in the face from the lady!”
“Artists always draw the Saviour as an actor in one of the Gospel stories. I should do differently. I should represent Christ alone--the disciples did leave Him alone occasionally. I should paint one little child left with Him. This child has been playing about near Him, and had probably just been telling the Saviour something in its pretty baby prattle. Christ had listened to it, but was now musing--one hand reposing on the child’s bright head. His eyes have a far-away expression. Thought, great as the Universe, is in them--His face is sad. The little one leans its elbow upon Christ’s knee, and with its cheek resting on its hand, gazes up at Him, pondering as children sometimes do ponder. The sun is setting. There you have my picture.
The prince took down the chain and opened the door. He started back in amazement--for there stood Nastasia Philipovna. He knew her at once from her photograph. Her eyes blazed with anger as she looked at him. She quickly pushed by him into the hall, shouldering him out of her way, and said, furiously, as she threw off her fur cloak:
“Ah, there I am _really_ talented! I may say I am a real caligraphist. Let me write you something, just to show you,” said the prince, with some excitement. He lifted the curtain, paused--and turned to the prince. “Go in,” he said, motioning him to pass behind the curtain. Muishkin went in. Gania said all this perfectly seriously, and without the slightest appearance of joking; indeed, he seemed strangely gloomy.
He grew very wroth and confused when the prince asked for the portrait, and explained how it came about that he had spoken of it.
Prince Muishkin entered the court-yard, and ascended the steps. A cook with her sleeves turned up to the elbows opened the door. The visitor asked if Mr. Lebedeff were at home.

“Yes.”

Aglaya sat next to Evgenie Pavlovitch, and laughed and talked to him with an unusual display of friendliness. Evgenie himself behaved rather more sedately than usual, probably out of respect to the dignitary. Evgenie had been known in society for a long while. He had appeared at the Epanchins’ today with crape on his hat, and Princess Bielokonski had commended this action on his part. Not every society man would have worn crape for “such an uncle.” Lizabetha Prokofievna had liked it also, but was too preoccupied to take much notice. The prince remarked that Aglaya looked attentively at him two or three times, and seemed to be satisfied with his behaviour.
“You will not deny, I am sure,” said Gavrila Ardalionovitch, turning to Burdovsky, who sat looking at him with wide-open eyes, perplexed and astonished. “You will not deny, seriously, that you were born just two years after your mother’s legal marriage to Mr. Burdovsky, your father. Nothing would be easier than to prove the date of your birth from well-known facts; we can only look on Mr. Keller’s version as a work of imagination, and one, moreover, extremely offensive both to you and your mother. Of course he distorted the truth in order to strengthen your claim, and to serve your interests. Mr. Keller said that he previously consulted you about his article in the paper, but did not read it to you as a whole. Certainly he could not have read that passage. ....”
“You were prevented by Aglaya Ivanovna. I think I am not mistaken? That is your daughter, Aglaya Ivanovna? She is so beautiful that I recognized her directly, although I had never seen her before. Let me, at least, look on beauty for the last time in my life,” he said with a wry smile. “You are here with the prince, and your husband, and a large company. Why should you refuse to gratify my last wish?”
“Of railways?” put in Colia eagerly.
“Oh, she would funk a scandal like anyone else. You are all tarred with one brush!”
“I seemed to imagine you exactly as you are--I seemed to have seen you somewhere.”

Aglaya did not begin the conversation, but contented herself with watching her companion intently.

Evgenie Pavlovitch gazed at him in real surprise, and this time his expression of face had no mockery in it whatever.

“No, it is impossible for me to come to your house again,” he added slowly.

“Pure amiable curiosity,--I assure you--desire to do a service. That’s all. Now I’m entirely yours again, your slave; hang me if you like!”
At length, however, just as the visitors were on the point of departing, Prince S. seemed suddenly to recollect himself. “Oh yes, by-the-by,” he said, “do you happen to know, my dear Lef Nicolaievitch, who that lady was who called out to Evgenie Pavlovitch last night, from the carriage?”
His change of dress was evidently a matter of some importance. Adelaida and Alexandra poured out a stream of questions; Prince S., a relative of the young man, appeared annoyed; and Ivan Fedorovitch quite excited. Aglaya alone was not interested. She merely looked closely at Evgenie for a minute, curious perhaps as to whether civil or military clothes became him best, then turned away and paid no more attention to him or his costume. Lizabetha Prokofievna asked no questions, but it was clear that she was uneasy, and the prince fancied that Evgenie was not in her good graces.
“Her happiness? Oh, no! I am only marrying her--well, because she wished it. It means nothing--it’s all the same. She would certainly have died. I see now that that marriage with Rogojin was an insane idea. I understand all now that I did not understand before; and, do you know, when those two stood opposite to one another, I could not bear Nastasia Philipovna’s face! You must know, Evgenie Pavlovitch, I have never told anyone before--not even Aglaya--that I cannot bear Nastasia Philipovna’s face.” (He lowered his voice mysteriously as he said this.) “You described that evening at Nastasia Philipovna’s (six months since) very accurately just now; but there is one thing which you did not mention, and of which you took no account, because you do not know. I mean her _face_--I looked at her face, you see. Even in the morning when I saw her portrait, I felt that I could not _bear_ to look at it. Now, there’s Vera Lebedeff, for instance, her eyes are quite different, you know. I’m _afraid_ of her face!” he added, with real alarm.

“‘Whoso forsakes his country forsakes his God.’

“I am not going to let him go like this,” thought Gania, glancing angrily at the prince as they walked along. “The fellow has sucked everything out of me, and now he takes off his mask--there’s something more than appears, here we shall see. It shall all be as clear as water by tonight, everything!”

“I--I,” the general continued to whisper, clinging more and more tightly to the boy’s shoulder. “I--wish--to tell you--all--Maria--Maria Petrovna--Su--Su--Su.......”

“Excellency,” he said, impulsively, “if you want a reliable man for the night, I am ready to sacrifice myself for my friend--such a soul as he has! I have long thought him a great man, excellency! My article showed my lack of education, but when he criticizes he scatters pearls!”

“I was only surprised that Mr. Burdovsky should have--however, this is what I have to say. Since you had already given the matter publicity, why did you object just now, when I began to speak of it to my friends?” “But he interested me too much, and all that day I was under the influence of strange thoughts connected with him, and I determined to return his visit the next day.
He paused, breathless.
“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!”
“The prince is clearly a democrat,” remarked Aglaya.
“Then, at all events, he _did_ sleep here, did he?”
“I will wait here,” he stammered. “I should like to surprise her. ....”
The prince seemed to be considering the suggestion.

“Are you happy--are you happy?” she asked. “Say this one word. Are you happy now? Today, this moment? Have you just been with her? What did she say?”

“My name really is Lukian Timofeyovitch,” acknowledged Lebedeff, lowering his eyes, and putting his hand on his heart.
“Oh, no; I love her with all my soul. Why, she is a child! She’s a child now--a real child. Oh! you know nothing about it at all, I see.”

“Of course not--of course not!--bah! The criminal was a fine intelligent fearless man; Le Gros was his name; and I may tell you--believe it or not, as you like--that when that man stepped upon the scaffold he _cried_, he did indeed,--he was as white as a bit of paper. Isn’t it a dreadful idea that he should have cried--cried! Whoever heard of a grown man crying from fear--not a child, but a man who never had cried before--a grown man of forty-five years. Imagine what must have been going on in that man’s mind at such a moment; what dreadful convulsions his whole spirit must have endured; it is an outrage on the soul that’s what it is. Because it is said ‘thou shalt not kill,’ is he to be killed because he murdered some one else? No, it is not right, it’s an impossible theory. I assure you, I saw the sight a month ago and it’s dancing before my eyes to this moment. I dream of it, often.”

“Show it me, will you?”

“Whoever _can_ suffer is worthy to suffer, I should think. Aglaya Ivanovna wished to see you, after she had read your confession, but--”

He stood so for ten seconds, gazing at the prince, motionless, deadly pale, his temples wet with perspiration; he held the prince’s hand in a strange grip, as though afraid to let him go.

“Parfen! perhaps my visit is ill-timed. I--I can go away again if you like,” said Muishkin at last, rather embarrassed. “A Kammer-junker? I had not thought of it, but--”
One house in the Gorohovaya began to attract his attention long before he reached it, and the prince remembered afterwards that he had said to himself: “That is the house, I’m sure of it.” He came up to it quite curious to discover whether he had guessed right, and felt that he would be disagreeably impressed to find that he had actually done so. The house was a large gloomy-looking structure, without the slightest claim to architectural beauty, in colour a dirty green. There are a few of these old houses, built towards the end of the last century, still standing in that part of St. Petersburg, and showing little change from their original form and colour. They are solidly built, and are remarkable for the thickness of their walls, and for the fewness of their windows, many of which are covered by gratings. On the ground-floor there is usually a money-changer’s shop, and the owner lives over it. Without as well as within, the houses seem inhospitable and mysterious--an impression which is difficult to explain, unless it has something to do with the actual architectural style. These houses are almost exclusively inhabited by the merchant class.
Nastasia Philipovna looked keenly round at the prince.
Lizabetha Prokofievna suddenly flared up.
“What, his face? only his face?” asked Adelaida. “That would be a strange subject indeed. And what sort of a picture would that make?”
“Oh, I’m so glad!” said the prince, joyfully. “I was so afraid.”
“I have a couple of words to say to you,” he began, “and those on a very important matter; let’s go aside for a minute or two.”
“Some dirty little thousand or so may be touched,” said Lebedeff, immensely relieved, “but there’s very little harm done, after all.”
The neighbours undoubtedly did hear. Varia rushed out of the room.
“How did he strike you, prince?” asked Gania, suddenly. “Did he seem to be a serious sort of a man, or just a common rowdy fellow? What was your own opinion about the matter?”
To serve her brother’s interests, Varvara Ardalionovna was constantly at the Epanchins’ house, helped by the fact that in childhood she and Gania had played with General Ivan Fedorovitch’s daughters. It would have been inconsistent with her character if in these visits she had been pursuing a chimera; her project was not chimerical at all; she was building on a firm basis--on her knowledge of the character of the Epanchin family, especially Aglaya, whom she studied closely. All Varvara’s efforts were directed towards bringing Aglaya and Gania together. Perhaps she achieved some result; perhaps, also, she made the mistake of depending too much upon her brother, and expecting more from him than he would ever be capable of giving. However this may be, her manoeuvres were skilful enough. For weeks at a time she would never mention Gania. Her attitude was modest but dignified, and she was always extremely truthful and sincere. Examining the depths of her conscience, she found nothing to reproach herself with, and this still further strengthened her in her designs. But Varvara Ardalionovna sometimes remarked that she felt spiteful; that there was a good deal of vanity in her, perhaps even of wounded vanity. She noticed this at certain times more than at others, and especially after her visits to the Epanchins.

“Yes, me, of course! Of course you were afraid of me, or you would not have decided to come. You cannot despise one you fear. And to think that I have actually esteemed you up to this very moment! Do you know why you are afraid of me, and what is your object now? You wished to satisfy yourself with your own eyes as to which he loves best, myself or you, because you are fearfully jealous.”

But Lizabetha Prokofievna felt somewhat consoled when she could say that one of her girls, Adelaida, was settled at last. “It will be one off our hands!” she declared aloud, though in private she expressed herself with greater tenderness. The engagement was both happy and suitable, and was therefore approved in society. Prince S. was a distinguished man, he had money, and his future wife was devoted to him; what more could be desired? Lizabetha Prokofievna had felt less anxious about this daughter, however, although she considered her artistic tastes suspicious. But to make up for them she was, as her mother expressed it, “merry,” and had plenty of “common-sense.” It was Aglaya’s future which disturbed her most. With regard to her eldest daughter, Alexandra, the mother never quite knew whether there was cause for anxiety or not. Sometimes she felt as if there was nothing to be expected from her. She was twenty-five now, and must be fated to be an old maid, and “with such beauty, too!” The mother spent whole nights in weeping and lamenting, while all the time the cause of her grief slumbered peacefully. “What is the matter with her? Is she a Nihilist, or simply a fool?”

His first word was to inquire after Evgenie Pavlovitch. But Lizabetha stalked past him, and neither looked at him nor answered his question.

“Thoroughly honest, quite so, prince, thoroughly honest!” said Lebedeff, with flashing eyes. “And only you, prince, could have found so very appropriate an expression. I honour you for it, prince. Very well, that’s settled; I shall find the purse now and not tomorrow. Here, I find it and take it out before your eyes! And the money is all right. Take it, prince, and keep it till tomorrow, will you? Tomorrow or next day I’ll take it back again. I think, prince, that the night after its disappearance it was buried under a bush in the garden. So I believe--what do you think of that?”
“But whatever she may say, remember that she does not believe it herself,--remember that she will believe nothing but that she is a guilty creature.
It was true enough that everybody was laughing, the prince among them.
The prince did not hear the rest, because at this point the servant continued his communication in a whisper.
“Do you think so? Had I not just better tell him I have found it, and pretend I never guessed where it was?” “Yes, but the prince can, because he is clever--cleverer than you are by ten or twenty times, if you like. There, that’s so, prince; and seriously, let’s drop the donkey now--what else did you see abroad, besides the donkey?” “Well, you have no right, you have no right, no right at all!... Your friends indeed!”... gabbled Burdovsky, defiantly examining the faces round him, and becoming more and more excited. “You have no right!...” As he ended thus abruptly, he leant forward, staring at the prince with his short-sighted, bloodshot eyes. The latter was so astonished, that he did not reply, but looked steadily at him in return. Aglaya gazed coldly, intently, and composedly at him, without taking her eyes off his face, and watched his confusion.

“It is plain to me, that _you_ are not in it at all,” he continued, at last, a little less vaguely, “but perhaps you had better not come to our house for a little while. I ask you in the friendliest manner, mind; just till the wind changes again. As for Evgenie Pavlovitch,” he continued with some excitement, “the whole thing is a calumny, a dirty calumny. It is simply a plot, an intrigue, to upset our plans and to stir up a quarrel. You see, prince, I’ll tell you privately, Evgenie and ourselves have not said a word yet, we have no formal understanding, we are in no way bound on either side, but the word may be said very soon, don’t you see, _very_ soon, and all this is most injurious, and is meant to be so. Why? I’m sure I can’t tell you. She’s an extraordinary woman, you see, an eccentric woman; I tell you I am so frightened of that woman that I can’t sleep. What a carriage that was, and where did it come from, eh? I declare, I was base enough to suspect Evgenie at first; but it seems certain that that cannot be the case, and if so, why is she interfering here? That’s the riddle, what does she want? Is it to keep Evgenie to herself? But, my dear fellow, I swear to you, I swear he doesn’t even _know_ her, and as for those bills, why, the whole thing is an invention! And the familiarity of the woman! It’s quite clear we must treat the impudent creature’s attempt with disdain, and redouble our courtesy towards Evgenie. I told my wife so.

“But surely this is a joke, Nastasia Philipovna?” asked Totski. “You don’t really mean us to play this game.”
“You were right, Totski,” said Nastasia, “it is a dull game and a stupid one. I’ll just tell my story, as I promised, and then we’ll play cards.”
One of them was a young fellow of about twenty-seven, not tall, with black curling hair, and small, grey, fiery eyes. His nose was broad and flat, and he had high cheek bones; his thin lips were constantly compressed into an impudent, ironical--it might almost be called a malicious--smile; but his forehead was high and well formed, and atoned for a good deal of the ugliness of the lower part of his face. A special feature of this physiognomy was its death-like pallor, which gave to the whole man an indescribably emaciated appearance in spite of his hard look, and at the same time a sort of passionate and suffering expression which did not harmonize with his impudent, sarcastic smile and keen, self-satisfied bearing. He wore a large fur--or rather astrachan--overcoat, which had kept him warm all night, while his neighbour had been obliged to bear the full severity of a Russian November night entirely unprepared. His wide sleeveless mantle with a large cape to it--the sort of cloak one sees upon travellers during the winter months in Switzerland or North Italy--was by no means adapted to the long cold journey through Russia, from Eydkuhnen to St. Petersburg.
“Oh! how ashamed you will be of this afterwards!”
“There you are, mother, you are always like that. You begin by promising that there are to be no reproaches or insinuations or questions, and here you are beginning them at once. We had better drop the subject--we had, really. I shall never leave you, mother; any other man would cut and run from such a sister as this. See how she is looking at me at this moment! Besides, how do you know that I am blinding Nastasia Philipovna? As for Varia, I don’t care--she can do just as she pleases. There, that’s quite enough!”

“As soon as we reach home give it to me to read.”

“‘O, puissent voir longtemps votre beauté sacrée Tant d’amis, sourds à mes adieux! Qu’ils meurent pleins de jours, que leur mort soit pleurée, Qu’un ami leur ferme les yeux!’ “At last her rags became so tattered and torn that she was ashamed of appearing in the village any longer. The children used to pelt her with mud; so she begged to be taken on as assistant cowherd, but the cowherd would not have her. Then she took to helping him without leave; and he saw how valuable her assistance was to him, and did not drive her away again; on the contrary, he occasionally gave her the remnants of his dinner, bread and cheese. He considered that he was being very kind. When the mother died, the village parson was not ashamed to hold Marie up to public derision and shame. Marie was standing at the coffin’s head, in all her rags, crying. “That confounded cough of mine had come on again; I fell into a chair, and with difficulty recovered my breath. ‘It’s all right, it’s only consumption’ I said. ‘I have come to you with a petition!’ “Won’t you be ashamed, afterwards, to reflect that your wife very nearly ran away with Rogojin?” “It’s a present from herself to him,” said Varia; “the question is to be finally decided this evening.”
“Are you out of your mind?” cried the prince, almost starting from his seat. “What do they accuse you of? Who accuses you?”
“Never come near my house again!” cried Mrs. Epanchin, pale with rage. “Don’t let me see as much as a _shadow_ of you about the place! Do you hear?”
“N-no! I wrote to her as to a sister; I signed myself her brother.”
“Yes, they’ll be awfully annoyed if they don’t see it.”
“You must excuse my asking, you know. Your appearance led me to think--but just wait for the secretary; the general is busy now, but the secretary is sure to come out.”

These words caused a sensation among the listeners, and there was a general movement of relief. Burdovsky got up abruptly.

“I have waited for you with the greatest impatience (not that you were worth it). Every night I have drenched my pillow with tears, not for you, my friend, not for you, don’t flatter yourself! I have my own grief, always the same, always the same. But I’ll tell you why I have been awaiting you so impatiently, because I believe that Providence itself sent you to be a friend and a brother to me. I haven’t a friend in the world except Princess Bielokonski, and she is growing as stupid as a sheep from old age. Now then, tell me, yes or no? Do you know why she called out from her carriage the other night?”
“He is ashamed of his tears!” whispered Lebedeff to Lizabetha Prokofievna. “It was inevitable. Ah! what a wonderful man the prince is! He read his very soul.”
He jumped up and walked off as fast as he could towards the “Petersburg Side.” [One of the quarters of St. Petersburg.] He had asked someone, a little while before, to show him which was the Petersburg Side, on the banks of the Neva. He had not gone there, however; and he knew very well that it was of no use to go now, for he would certainly not find Lebedeff’s relation at home. He had the address, but she must certainly have gone to Pavlofsk, or Colia would have let him know. If he were to go now, it would merely be out of curiosity, but a sudden, new idea had come into his head.
The prince replied that he saw it.
“That is a very difficult and complicated question. I cannot suspect the servant, for she was in the kitchen the whole evening, nor do I suspect any of my children.”
To Nastasia’s question as to what they wished her to do, Totski confessed that he had been so frightened by her, five years ago, that he could never now be entirely comfortable until she herself married. He immediately added that such a suggestion from him would, of course, be absurd, unless accompanied by remarks of a more pointed nature. He very well knew, he said, that a certain young gentleman of good family, namely, Gavrila Ardalionovitch Ivolgin, with whom she was acquainted, and whom she received at her house, had long loved her passionately, and would give his life for some response from her. The young fellow had confessed this love of his to him (Totski) and had also admitted it in the hearing of his benefactor, General Epanchin. Lastly, he could not help being of opinion that Nastasia must be aware of Gania’s love for her, and if he (Totski) mistook not, she had looked with some favour upon it, being often lonely, and rather tired of her present life. Having remarked how difficult it was for him, of all people, to speak to her of these matters, Totski concluded by saying that he trusted Nastasia Philipovna would not look with contempt upon him if he now expressed his sincere desire to guarantee her future by a gift of seventy-five thousand roubles. He added that the sum would have been left her all the same in his will, and that therefore she must not consider the gift as in any way an indemnification to her for anything, but that there was no reason, after all, why a man should not be allowed to entertain a natural desire to lighten his conscience, etc., etc.; in fact, all that would naturally be said under the circumstances. Totski was very eloquent all through, and, in conclusion, just touched on the fact that not a soul in the world, not even General Epanchin, had ever heard a word about the above seventy-five thousand roubles, and that this was the first time he had ever given expression to his intentions in respect to them.