| He looked intently around him, and wondered why he had come here; he was very tired, so he approached the bench and sat down on it. Around him was profound silence; the music in the Vauxhall was over. The park seemed quite empty, though it was not, in reality, later than half-past eleven. It was a quiet, warm, clear night--a real Petersburg night of early June; but in the dense avenue, where he was sitting, it was almost pitch dark. |
Now and then he looked at Aglaya for five minutes at a time, without taking his eyes off her face; but his expression was very strange; he would gaze at her as though she were an object a couple of miles distant, or as though he were looking at her portrait and not at herself at all.
| “Send Feodor or Alexey up by the very first train to buy a copy, then.--Aglaya, come here--kiss me, dear, you recited beautifully! but,” she added in a whisper, “if you were sincere I am sorry for you. If it was a joke, I do not approve of the feelings which prompted you to do it, and in any case you would have done far better not to recite it at all. Do you understand?--Now come along, young woman; we’ve sat here too long. I’ll speak to you about this another time.” |
“Nowhere, as yet.”
| “Scolding as usual, Varia! It is the worst thing about her. After all, I believe father may have started off with Rogojin. No doubt he is sorry now. Perhaps I had better go and see what he is doing,” added Colia, running off. |
“No; of course not.”
| “Well, let me get my hat, at least.” |
“How pale you have grown!” cried Aglaya in alarm.
In a state of terrible excitement she threw back her head, with flaming eyes, casting looks of contempt and defiance upon the whole company, in which she could no longer distinguish friend from foe. She had restrained herself so long that she felt forced to vent her rage on somebody. Those who knew Lizabetha Prokofievna saw at once how it was with her. “She flies into these rages sometimes,” said Ivan Fedorovitch to Prince S. the next day, “but she is not often so violent as she was yesterday; it does not happen more than once in three years.”
Again Nastasia Philipovna did not hear the sentence out. She glanced at Gania, and cried, laughing, “What a face! My goodness, what a face you have on at this moment!”
V.
“He sat down in amazement, and I lost no time in telling him the medical man’s history; and explained that he, with the influence which he possessed over his uncle, might do some good to the poor fellow.
“What? Would you go to her--to her?”
| “Well, go on! never mind me!” mocked the other. “Don’t be afraid!” |
It was true that she was lonely in her present life; Totski had judged her thoughts aright. She longed to rise, if not to love, at least to family life and new hopes and objects, but as to Gavrila Ardalionovitch, she could not as yet say much. She thought it must be the case that he loved her; she felt that she too might learn to love him, if she could be sure of the firmness of his attachment to herself; but he was very young, and it was a difficult question to decide. What she specially liked about him was that he worked, and supported his family by his toil.
“And won’t you be ashamed when they tell you, afterwards, that your wife lived at Totski’s expense so many years?”
“Show it me, will you?”
| “Add to all this your nervous nature, your epilepsy, and your sudden arrival in a strange town--the day of meetings and of exciting scenes, the day of unexpected acquaintanceships, the day of sudden actions, the day of meeting with the three lovely Epanchin girls, and among them Aglaya--add your fatigue, your excitement; add Nastasia’ s evening party, and the tone of that party, and--what were you to expect of yourself at such a moment as that?” |
Such were, for instance, Varvara Ardalionovna Ptitsin, her husband, and her brother, Gania.
No sooner had his sister left him alone, than Gania took the note out of his pocket, kissed it, and pirouetted around.
“I’ve--I’ve had a reward for my meanness--I’ve had a slap in the face,” he concluded, tragically.
“I know that--I know that; but what a part to play! And think what she must take _you_ for, Gania! I know she kissed mother’s hand, and all that, but she laughed at you, all the same. All this is not good enough for seventy-five thousand roubles, my dear boy. You are capable of honourable feelings still, and that’s why I am talking to you so. Oh! _do_ take care what you are doing! Don’t you know yourself that it will end badly, Gania?”
| Mrs. Epanchin almost sprang up in amazement at his answer, and at the assurance of his tone. |
“I hinted nothing to him about my ‘final conviction,’ but it appeared to me that he had guessed it from my words. He remained silent--he is a terribly silent man. I remarked to him, as I rose to depart, that, in spite of the contrast and the wide differences between us two, les extremites se touchent [‘extremes meet,’ as I explained to him in Russian); so that maybe he was not so far from my final conviction as appeared.
“Imagine, my dear,” cried the general, “it turns out that I have nursed the prince on my knee in the old days.” His wife looked searchingly at him, and glanced at the prince, but said nothing. The prince rose and followed her; but hardly had they reached the drawing-room, and Nina Alexandrovna had begun to talk hurriedly, when in came the general. She immediately relapsed into silence. The master of the house may have observed this, but at all events he did not take any notice of it; he was in high good humour.
| “Yes, my queen; it’s your own money, my joy.” |
“Lebedeff, you seem to be angry for some reason!” said the prince.
“Next morning I went out for a stroll through the town,” continued the prince, so soon as Rogojin was a little quieter, though his laughter still burst out at intervals, “and soon observed a drunken-looking soldier staggering about the pavement. He came up to me and said, ‘Buy my silver cross, sir! You shall have it for fourpence--it’s real silver.’ I looked, and there he held a cross, just taken off his own neck, evidently, a large tin one, made after the Byzantine pattern. I fished out fourpence, and put his cross on my own neck, and I could see by his face that he was as pleased as he could be at the thought that he had succeeded in cheating a foolish gentleman, and away he went to drink the value of his cross. At that time everything that I saw made a tremendous impression upon me. I had understood nothing about Russia before, and had only vague and fantastic memories of it. So I thought, ‘I will wait awhile before I condemn this Judas. Only God knows what may be hidden in the hearts of drunkards.’
“Yes, I hear.”
“No, I tell you I did _not_.”
“No, I left it where it was.”
IX.
“Oh, father’s curse be hanged--you don’t frighten me that way!” said Gania. “Whose fault is it that you have been as mad as a March hare all this week? It is just a week--you see, I count the days. Take care now; don’t provoke me too much, or I’ll tell all. Why did you go to the Epanchins’ yesterday--tell me that? And you call yourself an old man, too, with grey hair, and father of a family! H’m--nice sort of a father.”
Aglaya alone seemed sad and depressed; her face was flushed, perhaps with indignation.
“Yes, I will if I may; and--can I take off my cloak”
“I dare say I should be--much alarmed!”
Gania glanced inquiringly at the speaker.
“I confess I came here with an object. I wished to persuade Nastasia to go abroad for her health; she requires it. Both mind and body need a change badly. I did not intend to take her abroad myself. I was going to arrange for her to go without me. Now I tell you honestly, Parfen, if it is true that all is made up between you, I will not so much as set eyes upon her, and I will never even come to see you again.
And again he stood like a log in the middle of the pavement; so amazed that his mouth remained open after the last word had left it.
Totski immediately made some amiable remark. All seemed to brighten up at once, and the conversation became general. Nastasia made the prince sit down next to herself.
| “What did you suppose, then? Why did you think I invited you out here? I suppose you think me a ‘little fool,’ as they all call me at home?” |
Neither spoke for five minutes.
| “No, no! I have my reasons for wishing them not to suspect us of being engaged in any specially important conversation. There are gentry present who are a little too much interested in us. You are not aware of that perhaps, prince? It will be a great deal better if they see that we are friendly just in an ordinary way. They’ll all go in a couple of hours, and then I’ll ask you to give me twenty minutes--half an hour at most.” |
| “How he could hate me and tell scandalous stories about me, living among children as he did, is what I cannot understand. Children soothe and heal the wounded heart. I remember there was one poor fellow at our professor’s who was being treated for madness, and you have no idea what those children did for him, eventually. I don’t think he was mad, but only terribly unhappy. But I’ll tell you all about him another day. Now I must get on with this story. |
The prince commended his aspirations with warmth.
“Allow me, gentlemen, allow me,” urged the prince.
A week had elapsed since the rendezvous of our two friends on the green bench in the park, when, one fine morning at about half-past ten o’clock, Varvara Ardalionovna, otherwise Mrs. Ptitsin, who had been out to visit a friend, returned home in a state of considerable mental depression.
“What do you say, sir?” growled the general, taking a step towards him.
The prince trembled all over. Why was he so agitated? Why had he flown into such transports of delight without any apparent reason? He had far outshot the measure of joy and emotion consistent with the occasion. Why this was it would be difficult to say.
| It was the first time they had met since the encounter on the staircase at the hotel. |
| “You are crying, aren’t you?” |
“What! did it miss fire?”
“He gets most of his conversation in that way,” laughed Evgenie Pavlovitch. “He borrows whole phrases from the reviews. I have long had the pleasure of knowing both Nicholai Ardalionovitch and his conversational methods, but this time he was not repeating something he had read; he was alluding, no doubt, to my yellow waggonette, which has, or had, red wheels. But I have exchanged it, so you are rather behind the times, Colia.”
“The article in the newspaper put it at fifty!” cried Colia.
Gania suddenly became so ill at ease that his face grew paler than ever.
| “You don’t seem to want to tell us,” said Aglaya, with a mocking air. |
“No! Allow me, that is not what we are discussing!” he cried, waving his hand to impose silence. “Allow me! With these gentlemen... all these gentlemen,” he added, suddenly addressing the prince, “on certain points... that is...” He thumped the table repeatedly, and the laughter increased. Lebedeff was in his usual evening condition, and had just ended a long and scientific argument, which had left him excited and irritable. On such occasions he was apt to evince a supreme contempt for his opponents.
“Nastasia Philipovna!” cried the prince.
| As for his own impression on entering the room and taking his seat, he instantly remarked that the company was not in the least such as Aglaya’s words had led him to fear, and as he had dreamed of--in nightmare form--all night. |
“By reading the Apocalypse. The lady has a restless imagination, he-he! She has a liking for conversation on serious subjects, of any kind; in fact they please her so much, that it flatters her to discuss them. Now for fifteen years at least I have studied the Apocalypse, and she agrees with me in thinking that the present is the epoch represented by the third horse, the black one whose rider holds a measure in his hand. It seems to me that everything is ruled by measure in our century; all men are clamouring for their rights; ‘a measure of wheat for a penny, and three measures of barley for a penny.’ But, added to this, men desire freedom of mind and body, a pure heart, a healthy life, and all God’s good gifts. Now by pleading their rights alone, they will never attain all this, so the white horse, with his rider Death, comes next, and is followed by Hell. We talked about this matter when we met, and it impressed her very much.”
“How strangely you speak, and how odd you look!” said the other, involuntarily.
“‘If I--’ he began, breaking off abruptly every other moment, and starting another sentence. ‘I--I am so very grateful to you, and I am so much to blame in your eyes, I feel sure, I--you see--’ (he pointed to the room again) ‘at this moment I am in such a position--’
“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!”
“Feeds me? Go on. Don’t stand on ceremony, pray.”
“I can but thank you,” he said, in a tone too respectful to be sincere, “for your kindness in letting me speak, for I have often noticed that our Liberals never allow other people to have an opinion of their own, and immediately answer their opponents with abuse, if they do not have recourse to arguments of a still more unpleasant nature.”
“G.L.”
A couple of weeks went by, and suddenly the general and his wife were once more gloomy and silent, and the ice was as firm as ever. The fact was, the general, who had heard first, how Nastasia Philipovna had fled to Moscow and had been discovered there by Rogojin; that she had then disappeared once more, and been found again by Rogojin, and how after that she had almost promised to marry him, now received news that she had once more disappeared, almost on the very day fixed for her wedding, flying somewhere into the interior of Russia this time, and that Prince Muishkin had left all his affairs in the hands of Salaskin and disappeared also--but whether he was with Nastasia, or had only set off in search of her, was unknown.
“The young fellow whose arms you held, don’t you know? He was so wild with you that he was going to send a friend to you tomorrow morning.”
“And where have you come to?”
“Tell me, how was she when you left her?”
Alexandra and Adelaida came in almost immediately, and looked inquiringly at the prince and their mother.
“Why did they tell me he was not at home, then?”
“It is a law, doubtless, but a law neither more nor less normal than that of destruction, even self-destruction. Is it possible that the whole normal law of humanity is contained in this sentiment of self-preservation?”
| Silence immediately fell on the room; all looked at the prince as though they neither understood, nor hoped to understand. Gania was motionless with horror. |
“Well, as you like, just as you like,” said Evgenie Pavlovitch, irritably. “Only you are such a plucky fellow, take care you don’t get included among the ten victims!”
On the particular morning on which our story has opened, the family had assembled in the dining-room, and were waiting the general’s appearance, the latter having promised to come this day. If he had been one moment late, he would have been sent for at once; but he turned up punctually.
“Perhaps I do; but tell me yourself,” said Nastasia Philipovna, quietly.
“Very well, then there’s an experiment, and the thing is proved; one cannot live and count each moment; say what you like, but one _cannot_.”
“And Hippolyte has come down here to stay,” said Colia, suddenly.
“Better read on without any more beating about the bush,” said Gania.
| Besides this, it was clear that the Epanchins’ position gained each year, with geometrical accuracy, both as to financial solidity and social weight; and, therefore, the longer the girls waited, the better was their chance of making a brilliant match. |
“Otherwise,” she observed hysterically, “I shall die before evening.”
| They walked silently, and said scarcely a word all the way. He only noticed that she seemed to know the road very well; and once, when he thought it better to go by a certain lane, and remarked to her that it would be quieter and less public, she only said, “it’s all the same,” and went on. |
“Natural?”
“Yes, of course,” said Ferdishenko. “C’est du nouveau.”
“I may have said so,” answered Hippolyte, as if trying to remember. “Yes, I certainly said so,” he continued with sudden animation, fixing an unflinching glance on his questioner. “What of it?”
| “This is not my own fantastical opinion--many people have thought the same; but I feel it so deeply that I’ll tell you what I think. I believe that to execute a man for murder is to punish him immeasurably more dreadfully than is equivalent to his crime. A murder by sentence is far more dreadful than a murder committed by a criminal. The man who is attacked by robbers at night, in a dark wood, or anywhere, undoubtedly hopes and hopes that he may yet escape until the very moment of his death. There are plenty of instances of a man running away, or imploring for mercy--at all events hoping on in some degree--even after his throat was cut. But in the case of an execution, that last hope--having which it is so immeasurably less dreadful to die,--is taken away from the wretch and _certainty_ substituted in its place! There is his sentence, and with it that terrible certainty that he cannot possibly escape death--which, I consider, must be the most dreadful anguish in the world. You may place a soldier before a cannon’s mouth in battle, and fire upon him--and he will still hope. But read to that same soldier his death-sentence, and he will either go mad or burst into tears. Who dares to say that any man can suffer this without going mad? No, no! it is an abuse, a shame, it is unnecessary--why should such a thing exist? Doubtless there may be men who have been sentenced, who have suffered this mental anguish for a while and then have been reprieved; perhaps such men may have been able to relate their feelings afterwards. Our Lord Christ spoke of this anguish and dread. No! no! no! No man should be treated so, no man, no man!” |
“She was very quiet always--and I remember once, when she had suddenly begun singing at her work, everyone said, ‘Marie tried to sing today!’ and she got so chaffed that she was silent for ever after. She had been treated kindly in the place before; but when she came back now--ill and shunned and miserable--not one of them all had the slightest sympathy for her. Cruel people! Oh, what hazy understandings they have on such matters! Her mother was the first to show the way. She received her wrathfully, unkindly, and with contempt. ‘You have disgraced me,’ she said. She was the first to cast her into ignominy; but when they all heard that Marie had returned to the village, they ran out to see her and crowded into the little cottage--old men, children, women, girls--such a hurrying, stamping, greedy crowd. Marie was lying on the floor at the old woman’s feet, hungry, torn, draggled, crying, miserable.