He was a remarkably handsome young fellow of some twenty-eight summers, fair and of middle height; he wore a small beard, and his face was most intelligent. Yet his smile, in spite of its sweetness, was a little thin, if I may so call it, and showed his teeth too evenly; his gaze though decidedly good-humoured and ingenuous, was a trifle too inquisitive and intent to be altogether agreeable.
| “Quite so, I see; because, you know, little mistakes have occurred now and then. There was a case--” |
| “Do you know the Rogojins?” asked his questioner, abruptly. |
| There was a question to be decided--most important, but most difficult; so much so, that Mrs. Epanchin did not even see how to put it into words. Would the prince do or not? Was all this good or bad? If good (which might be the case, of course), _why_ good? If bad (which was hardly doubtful), _wherein_, especially, bad? Even the general, the paterfamilias, though astonished at first, suddenly declared that, “upon his honour, he really believed he had fancied something of the kind, after all. At first, it seemed a new idea, and then, somehow, it looked as familiar as possible.” His wife frowned him down there. This was in the morning; but in the evening, alone with his wife, he had given tongue again. |
| “H’m! well, _you_ are not going away just yet, my friend, at all events,” said Lizabetha, stopping the prince. “Kindly step home with me, and let me have a little explanation of the mystery. Nice goings on, these! I haven’t slept a wink all night as it is.” |
“Well, but--have you taken the purse away now?”
“Ah! that’s it, no doubt!”
The prince had, of course, at once received him, and had plunged into a conversation about Hippolyte. He had given the doctor an account of Hippolyte’s attempted suicide; and had proceeded thereafter to talk of his own malady,--of Switzerland, of Schneider, and so on; and so deeply was the old man interested by the prince’s conversation and his description of Schneider’s system, that he sat on for two hours.
| “On the contrary, he seems to be very well brought up. His manners are excellent--but here he is himself. Here you are, prince--let me introduce you, the last of the Muishkins, a relative of your own, my dear, or at least of the same name. Receive him kindly, please. They’ll bring in lunch directly, prince; you must stop and have some, but you must excuse me. I’m in a hurry, I must be off--” |
| “Mamma!” said Alexandra, shocked at her rudeness. |
“But as if that is enough!” cried Evgenie, indignantly. “As if it is enough simply to say: ‘I know I am very guilty!’ You are to blame, and yet you persevere in evil-doing. Where was your heart, I should like to know, your _christian heart_, all that time? Did she look as though she were suffering less, at that moment? You saw her face--was she suffering less than the other woman? How could you see her suffering and allow it to continue? How could you?”
“It is very painful to me to answer these questions, Lizabetha Prokofievna.”
“Are you telling the truth when you say you are not in love?”
| “They will think that I’m still ill,” continued Rogojin to the prince, “but I sloped off quietly, seedy as I was, took the train and came away. Aha, brother Senka, you’ll have to open your gates and let me in, my boy! I know he told tales about me to my father--I know that well enough but I certainly did rile my father about Nastasia Philipovna that’s very sure, and that was my own doing.” |
| “You did a good action,” said the prince, “for in the midst of his angry feelings you insinuated a kind thought into his heart.” |
| “Is it true?” she asked eagerly. |
“Why not?”
The prince took a droshky. It struck him as he drove on that he ought to have begun by coming here, since it was most improbable that Rogojin should have taken Nastasia to his own house last night. He remembered that the porter said she very rarely came at all, so that it was still less likely that she would have gone there so late at night.
“It is strange to look on this dreadful picture of the mangled corpse of the Saviour, and to put this question to oneself: ‘Supposing that the disciples, the future apostles, the women who had followed Him and stood by the cross, all of whom believed in and worshipped Him--supposing that they saw this tortured body, this face so mangled and bleeding and bruised (and they _must_ have so seen it)--how could they have gazed upon the dreadful sight and yet have believed that He would rise again?’
“Executions?”Meanwhile all these people--though friends of the family and of each other to a certain extent--were very far from being such intimate friends of the family and of each other as the prince concluded. There were some present who never would think of considering the Epanchins their equals. There were even some who hated one another cordially. For instance, old Princess Bielokonski had all her life despised the wife of the “dignitary,” while the latter was very far from loving Lizabetha Prokofievna. The dignitary himself had been General Epanchin’s protector from his youth up; and the general considered him so majestic a personage that he would have felt a hearty contempt for himself if he had even for one moment allowed himself to pose as the great man’s equal, or to think of him--in his fear and reverence--as anything less than an Olympic God! There were others present who had not met for years, and who had no feeling whatever for each other, unless it were dislike; and yet they met tonight as though they had seen each other but yesterday in some friendly and intimate assembly of kindred spirits.
“When I arose to lock the door after him, I suddenly called to mind a picture I had noticed at Rogojin’s in one of his gloomiest rooms, over the door. He had pointed it out to me himself as we walked past it, and I believe I must have stood a good five minutes in front of it. There was nothing artistic about it, but the picture made me feel strangely uncomfortable. It represented Christ just taken down from the cross. It seems to me that painters as a rule represent the Saviour, both on the cross and taken down from it, with great beauty still upon His face. This marvellous beauty they strive to preserve even in His moments of deepest agony and passion. But there was no such beauty in Rogojin’s picture. This was the presentment of a poor mangled body which had evidently suffered unbearable anguish even before its crucifixion, full of wounds and bruises, marks of the violence of soldiers and people, and of the bitterness of the moment when He had fallen with the cross--all this combined with the anguish of the actual crucifixion.“Quite true,” whispered the prince.
“Quite so,” said Evgenie, sitting down suddenly beside him, “but I have changed my mind for the time being. I confess, I am too disturbed, and so, I think, are you; and the matter as to which I wished to consult you is too serious to tackle with one’s mind even a little disturbed; too serious both for myself and for you. You see, prince, for once in my life I wish to perform an absolutely honest action, that is, an action with no ulterior motive; and I think I am hardly in a condition to talk of it just at this moment, and--and--well, we’ll discuss it another time. Perhaps the matter may gain in clearness if we wait for two or three days--just the two or three days which I must spend in Petersburg.”“He gets most of his conversation in that way,” laughed Evgenie Pavlovitch. “He borrows whole phrases from the reviews. I have long had the pleasure of knowing both Nicholai Ardalionovitch and his conversational methods, but this time he was not repeating something he had read; he was alluding, no doubt, to my yellow waggonette, which has, or had, red wheels. But I have exchanged it, so you are rather behind the times, Colia.”