| Late in the evening Colia came in with a whole budget of Petersburg and Pavlofsk news. He did not dwell much on the Petersburg part of it, which consisted chiefly of intelligence about his friend Hippolyte, but passed quickly to the Pavlofsk tidings. He had gone straight to the Epanchins’ from the station. |
IX.
All he said and did was abrupt, confused, feverish--very likely the words he spoke, as often as not, were not those he wished to say. He seemed to inquire whether he _might_ speak. His eyes lighted on Princess Bielokonski.
| “What on earth does all this mean? What’s he going to read?” muttered several voices. Others said nothing; but one and all sat down and watched with curiosity. They began to think something strange might really be about to happen. Vera stood and trembled behind her father’s chair, almost in tears with fright; Colia was nearly as much alarmed as she was. Lebedeff jumped up and put a couple of candles nearer to Hippolyte, so that he might see better. |
The time appointed was twelve o’clock, and the prince, returning home unexpectedly late, found the general waiting for him. At the first glance, he saw that the latter was displeased, perhaps because he had been kept waiting. The prince apologized, and quickly took a seat. He seemed strangely timid before the general this morning, for some reason, and felt as though his visitor were some piece of china which he was afraid of breaking.
Evgenie called upon the prince the day after that on which the Epanchins left Pavlofsk. He knew of all the current rumours,--in fact, he had probably contributed to them himself. The prince was delighted to see him, and immediately began to speak of the Epanchins;--which simple and straightforward opening quite took Evgenie’s fancy, so that he melted at once, and plunged in medias res without ceremony. “Oh! then you did come ‘to fight,’ I may conclude? Dear me!--and I thought you were cleverer--”| “Do you know I am specially glad that today is your birthday!” cried Hippolyte. |
| He could bear it no longer, and with a look of entreaty, mingled with reproach, he addressed Aglaya, pointing to Nastasia the while: |
But when she had read it herself once more, it suddenly struck her that surely that conceited boy, Colia, had not been the one chosen correspondent of the prince all this while. She determined to ask him, and did so with an exaggerated show of carelessness. He informed her haughtily that though he had given the prince his permanent address when the latter left town, and had offered his services, the prince had never before given him any commission to perform, nor had he written until the following lines arrived, with Aglaya’s letter. Aglaya took the note, and read it.
| In a word, Ferdishenko was very angry and rapidly forgetting himself; his whole face was drawn with passion. Strange as it may appear, he had expected much better success for his story. These little errors of taste on Ferdishenko’s part occurred very frequently. Nastasia trembled with rage, and looked fixedly at him, whereupon he relapsed into alarmed silence. He realized that he had gone a little too far. |
| “Well, well! I won’t again,” said the master of the house, his anxiety getting the better of his temper. He went up to his daughter, and looked at the child in her arms, anxiously making the sign of the cross over her three times. “God bless her! God bless her!” he cried with emotion. “This little creature is my daughter Luboff,” addressing the prince. “My wife, Helena, died--at her birth; and this is my big daughter Vera, in mourning, as you see; and this, this, oh, this,” pointing to the young man on the divan... |
| “But, pardon me, Mr. Ferdishenko, is it possible to make a game out of this kind of thing?” persisted Totski, growing more and more uneasy. “I assure you it can’t be a success.” |
| Some of her guests suspected that she must be ill; but concluded at last that she was expecting something, for she continued to look at her watch impatiently and unceasingly; she was most absent and strange. |
His costume was the same as it had been in the morning, except for a new silk handkerchief round his neck, bright green and red, fastened with a huge diamond pin, and an enormous diamond ring on his dirty forefinger.
| “What nonsense you are all talking! What do you mean by poor knight?” |
In point of fact it is quite possible that the matter would have ended in a very commonplace and natural way in a few minutes. The undoubtedly astonished, but now more collected, General Epanchin had several times endeavoured to interrupt the prince, and not having succeeded he was now preparing to take firmer and more vigorous measures to attain his end. In another minute or two he would probably have made up his mind to lead the prince quietly out of the room, on the plea of his being ill (and it was more than likely that the general was right in his belief that the prince _was_ actually ill), but it so happened that destiny had something different in store.
This was odd of Lizabetha Prokofievna and her daughters. They had themselves decided that it would be better if the prince did not talk all the evening. Yet seeing him sitting silent and alone, but perfectly happy, they had been on the point of exerting themselves to draw him into one of the groups of talkers around the room. Now that he was in the midst of a talk they became more than ever anxious and perturbed. “What--what sort of opinion, Aglaya Ivanovna?”Totski sat and shrugged his shoulders, bewildered. He was the only guest left sitting at this time; the others had thronged round the table in disorder, and were all talking at once.
| “What was the matter yesterday?” (she wrote on another sheet). “I passed by you, and you seemed to me to _blush_. Perhaps it was only my fancy. If I were to bring you to the most loathsome den, and show you the revelation of undisguised vice--you should not blush. You can never feel the sense of personal affront. You may hate all who are mean, or base, or unworthy--but not for yourself--only for those whom they wrong. No one can wrong _you_. Do you know, I think you ought to love me--for you are the same in my eyes as in his--you are as light. An angel cannot hate, perhaps cannot love, either. I often ask myself--is it possible to love everybody? Indeed it is not; it is not in nature. Abstract love of humanity is nearly always love of self. But you are different. You cannot help loving all, since you can compare with none, and are above all personal offence or anger. Oh! how bitter it would be to me to know that you felt anger or shame on my account, for that would be your fall--you would become comparable at once with such as me. |
Gania gazed after him uneasily, but said nothing.
“A certain person is very friendly with her, and intends to visit her pretty often.”| “Ardalion Alexandrovitch,” she cried after him, “wait a moment, we are all sinners! When you feel that your conscience reproaches you a little less, come over to me and we’ll have a talk about the past! I dare say I am fifty times more of a sinner than you are! And now go, go, good-bye, you had better not stay here!” she added, in alarm, as he turned as though to come back. |
| “Nicolai Ardalionovitch!” said Lebedeff, in a most amiable tone of voice, addressing the boy. “As I have a communication to make to the prince which concerns only myself--” |
| “But he has never even--” |
| “Prince,” he said, with feeling, “I was a blackguard. Forgive me!” His face gave evidence of suffering. The prince was considerably amazed, and did not reply at once. “Oh, come, forgive me, forgive me!” Gania insisted, rather impatiently. “If you like, I’ll kiss your hand. There!” |
“Parfen,” he said, “tell me honestly, did you know that I was coming to Petersburg or no?”
| “Without Aglaya--I--I _must_ see Aglaya!--I shall die in my sleep very soon--I thought I was dying in my sleep last night. Oh! if Aglaya only knew all--I mean really, _really_ all! Because she must know _all_--that’s the first condition towards understanding. Why cannot we ever know all about another, especially when that other has been guilty? But I don’t know what I’m talking about--I’m so confused. You pained me so dreadfully. Surely--surely Aglaya has not the same expression now as she had at the moment when she ran away? Oh, yes! I am guilty and I know it--I know it! Probably I am in fault all round--I don’t quite know how--but I am in fault, no doubt. There is something else, but I cannot explain it to you, Evgenie Pavlovitch. I have no words; but Aglaya will understand. I have always believed Aglaya will understand--I am assured she will.” |
“I beg your pardon, I--”
| His first word was to inquire after Evgenie Pavlovitch. But Lizabetha stalked past him, and neither looked at him nor answered his question. |
“Yes, I have a little more,” said Evgenie Pavlovitch, with a smile. “It seems to me that all you and your friends have said, Mr. Terentieff, and all you have just put forward with such undeniable talent, may be summed up in the triumph of right above all, independent of everything else, to the exclusion of everything else; perhaps even before having discovered what constitutes the right. I may be mistaken?”
| “Yes, I see and understand.” |
| How or why it came about that everyone at the Epanchins’ became imbued with one conviction--that something very important had happened to Aglaya, and that her fate was in process of settlement--it would be very difficult to explain. But no sooner had this idea taken root, than all at once declared that they had seen and observed it long ago; that they had remarked it at the time of the “poor knight” joke, and even before, though they had been unwilling to believe in such nonsense. |
“Father, will you hear a word from me outside!” said Gania, his voice shaking with agitation, as he seized his father by the shoulder. His eyes shone with a blaze of hatred.
“The woman’s mad!” cried Evgenie, at last, crimson with anger, and looking confusedly around. “I don’t know what she’s talking about! What IOU’s? Who is she?” Mrs. Epanchin continued to watch his face for a couple of seconds; then she marched briskly and haughtily away towards her own house, the rest following her.
| “No, that was another commentator, whom the papers named. He is dead, however, and I have taken his place,” said the other, much delighted. |
“She--ah, that’s where all the mischief of it lies!” replied Ivolgin, frowning. “Without a word, as it were, of warning, she slapped me on the cheek! An extraordinary woman!”
“She sent to say, yesterday morning, that I was never to dare to come near the house again.”“No, no, no!” cried the prince, with unspeakable sadness.
“Certainly it is a fraud! Since Mr. Burdovsky is not Pavlicheff’s son, his claim is neither more nor less than attempted fraud (supposing, of course, that he had known the truth), but the fact is that he has been deceived. I insist on this point in order to justify him; I repeat that his simple-mindedness makes him worthy of pity, and that he cannot stand alone; otherwise he would have behaved like a scoundrel in this matter. But I feel certain that he does not understand it! I was just the same myself before I went to Switzerland; I stammered incoherently; one tries to express oneself and cannot. I understand that. I am all the better able to pity Mr. Burdovsky, because I know from experience what it is to be like that, and so I have a right to speak. Well, though there is no such person as ‘Pavlicheff’s son,’ and it is all nothing but a humbug, yet I will keep to my decision, and I am prepared to give up ten thousand roubles in memory of Pavlicheff. Before Mr. Burdovsky made this claim, I proposed to found a school with this money, in memory of my benefactor, but I shall honour his memory quite as well by giving the ten thousand roubles to Mr. Burdovsky, because, though he was not Pavlicheff’s son, he was treated almost as though he were. That is what gave a rogue the opportunity of deceiving him; he really did think himself Pavlicheff’s son. Listen, gentlemen; this matter must be settled; keep calm; do not get angry; and sit down! Gavrila Ardalionovitch will explain everything to you at once, and I confess that I am very anxious to hear all the details myself. He says that he has even been to Pskoff to see your mother, Mr. Burdovsky; she is not dead, as the article which was just read to us makes out. Sit down, gentlemen, sit down!”
“I am rather young-looking, I know; but I am actually older than I appear to be. I was ten or eleven in the year 1812. I don’t know my age exactly, but it has always been a weakness of mine to make it out less than it really is.”“Poor Bachmatoff was much impressed--painfully so. He took me all the way home; not attempting to console me, but behaving with the greatest delicacy. On taking leave he pressed my hand warmly and asked permission to come and see me. I replied that if he came to me as a ‘comforter,’ so to speak (for he would be in that capacity whether he spoke to me in a soothing manner or only kept silence, as I pointed out to him), he would but remind me each time of my approaching death! He shrugged his shoulders, but quite agreed with me; and we parted better friends than I had expected.
In order to pass from the Vauxhall to the band-stand, the visitor has to descend two or three steps. Just at these steps the group paused, as though it feared to proceed further; but very quickly one of the three ladies, who formed its apex, stepped forward into the charmed circle, followed by two members of her suite.
| “There now! It’s just like him,” cried Lizabetha Prokofievna, boiling over once more, and entirely oblivious of the fact that she had just taken the prince’s part. “I dare swear that you went up to town yesterday on purpose to get the little wretch to do you the great honour of coming to stay at your house. You did go up to town, you know you did--you said so yourself! Now then, did you, or did you not, go down on your knees and beg him to come, confess!” |
The prince continued to regard Nastasia with a sorrowful, but intent and piercing, gaze.
“P.P.S.--It is the same green bench that I showed you before. There! aren’t you ashamed of yourself? I felt that it was necessary to repeat even that information.”
| “Come, that’s a little _too_ strong, isn’t it?” murmured the old man, glancing at General Epanchin in surprise. |
“Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people.
| This idea was, that if Rogojin were in Petersburg, though he might hide for a time, yet he was quite sure to come to him--the prince--before long, with either good or evil intentions, but probably with the same intention as on that other occasion. At all events, if Rogojin were to come at all he would be sure to seek the prince here--he had no other town address--perhaps in this same corridor; he might well seek him here if he needed him. And perhaps he did need him. This idea seemed quite natural to the prince, though he could not have explained why he should so suddenly have become necessary to Rogojin. Rogojin would not come if all were well with him, that was part of the thought; he would come if all were not well; and certainly, undoubtedly, all would not be well with him. The prince could not bear this new idea; he took his hat and rushed out towards the street. It was almost dark in the passage. |
“Because, you know,” Rogojin recommenced, as though continuing a former sentence, “if you were ill now, or had a fit, or screamed, or anything, they might hear it in the yard, or even in the street, and guess that someone was passing the night in the house. They would all come and knock and want to come in, because they know I am not at home. I didn’t light a candle for the same reason. When I am not here--for two or three days at a time, now and then--no one comes in to tidy the house or anything; those are my orders. So that I want them to not know we are spending the night here--”