“I know that there were just as many, and just as terrible, crimes before our times. Not long since I visited a convict prison and made acquaintance with some of the criminals. There were some even more dreadful criminals than this one we have been speaking of--men who have murdered a dozen of their fellow-creatures, and feel no remorse whatever. But what I especially noticed was this, that the very most hopeless and remorseless murderer--however hardened a criminal he may be--still _knows that he is a criminal_; that is, he is conscious that he has acted wickedly, though he may feel no remorse whatever. And they were all like this. Those of whom Evgenie Pavlovitch has spoken, do not admit that they are criminals at all; they think they had a right to do what they did, and that they were even doing a good deed, perhaps. I consider there is the greatest difference between the two cases. And recollect--it was a _youth_, at the particular age which is most helplessly susceptible to the distortion of ideas!”
| “No, sir--in the Bielomirsky; he changed into the latter shortly before his death. I was at his bedside when he died, and gave him my blessing for eternity. Your mother--” The general paused, as though overcome with emotion. |
“The visit to Rogojin exhausted me terribly. Besides, I had felt ill since the morning; and by evening I was so weak that I took to my bed, and was in high fever at intervals, and even delirious. Colia sat with me until eleven o’clock.
| “Yes--Abbot Gurot, a Jesuit,” said Ivan Petrovitch. “Yes, that’s the sort of thing our best men are apt to do. A man of rank, too, and rich--a man who, if he had continued to serve, might have done anything; and then to throw up the service and everything else in order to go over to Roman Catholicism and turn Jesuit--openly, too--almost triumphantly. By Jove! it was positively a mercy that he died when he did--it was indeed--everyone said so at the time.” |
“Oh yes, I knew General Epanchin well,” General Ivolgin was saying at this moment; “he and Prince Nicolai Ivanovitch Muishkin--whose son I have this day embraced after an absence of twenty years--and I, were three inseparables. Alas one is in the grave, torn to pieces by calumnies and bullets; another is now before you, still battling with calumnies and bullets--”
The prince was touched; he took Gania’s hands, and embraced him heartily, while each kissed the other.
| “Come, that is enough! That is all now; you have no more to say? Now go to bed; you are burning with fever,” said Lizabetha Prokofievna impatiently. Her anxious eyes had never left the invalid. “Good heavens, he is going to begin again!” |
“So that if I cannot now impart all that has tormented me for the last six months, at all events you will understand that, having reached my ‘last convictions,’ I must have paid a very dear price for them. That is what I wished, for reasons of my own, to make a point of in this my ‘Explanation.’
| “It cannot be moved; you would have to pull the wall down, it is so firmly fixed.” |
| “Final explanation: I die, not in the least because I am unable to support these next three weeks. Oh no, I should find strength enough, and if I wished it I could obtain consolation from the thought of the injury that is done me. But I am not a French poet, and I do not desire such consolation. And finally, nature has so limited my capacity for work or activity of any kind, in allotting me but three weeks of time, that suicide is about the only thing left that I can begin and end in the time of my own free will. |
But the prince’s mental perturbation increased every moment. He wandered about the park, looking absently around him, and paused in astonishment when he suddenly found himself in the empty space with the rows of chairs round it, near the Vauxhall. The look of the place struck him as dreadful now: so he turned round and went by the path which he had followed with the Epanchins on the way to the band, until he reached the green bench which Aglaya had pointed out for their rendezvous. He sat down on it and suddenly burst into a loud fit of laughter, immediately followed by a feeling of irritation. His disturbance of mind continued; he felt that he must go away somewhere, anywhere.
“I am kind myself, and _always_ kind too, if you please!” she retorted, unexpectedly; “and that is my chief fault, for one ought not to be always kind. I am often angry with these girls and their father; but the worst of it is, I am always kindest when I am cross. I was very angry just before you came, and Aglaya there read me a lesson--thanks, Aglaya, dear--come and kiss me--there--that’s enough” she added, as Aglaya came forward and kissed her lips and then her hand. “Now then, go on, prince. Perhaps you can think of something more exciting than about the donkey, eh?”
In the first place, this new woman understood a good deal more than was usual for young people of her age; so much indeed, that Totski could not help wondering where she had picked up her knowledge. Surely not from her “young lady’s library”? It even embraced legal matters, and the “world” in general, to a considerable extent.
“No! do you think so?” said the general, catching at the idea.
Lebedeff started, and at sight of the prince stood like a statue for a moment. Then he moved up to him with an ingratiating smile, but stopped short again.
“Yes--I have it still,” the prince replied.
| “When I arose to lock the door after him, I suddenly called to mind a picture I had noticed at Rogojin’s in one of his gloomiest rooms, over the door. He had pointed it out to me himself as we walked past it, and I believe I must have stood a good five minutes in front of it. There was nothing artistic about it, but the picture made me feel strangely uncomfortable. It represented Christ just taken down from the cross. It seems to me that painters as a rule represent the Saviour, both on the cross and taken down from it, with great beauty still upon His face. This marvellous beauty they strive to preserve even in His moments of deepest agony and passion. But there was no such beauty in Rogojin’s picture. This was the presentment of a poor mangled body which had evidently suffered unbearable anguish even before its crucifixion, full of wounds and bruises, marks of the violence of soldiers and people, and of the bitterness of the moment when He had fallen with the cross--all this combined with the anguish of the actual crucifixion. |
“Didn’t you put it away in some drawer, perhaps?”
“I didn’t mean that,” said Gania; “but while we are upon the subject, let me hear your opinion. Is all this worry worth seventy-five thousand or not?”
“Especially as you know all, eh?”
An hour later he was in St. Petersburg, and by ten o’clock he had rung the bell at Rogojin’s.
The prince jumped up so furiously that Lebedeff ran towards the door; having gained which strategic position, however, he stopped and looked back to see if he might hope for pardon.
“Sometimes.”
“Ready--keep your distance, all of you!”
“I’ll dictate to you,” said Aglaya, coming up to the table. “Now then, are you ready? Write, ‘I never condescend to bargain!’ Now put your name and the date. Let me see it.”
| “I will not deceive you. ‘Reality’ got me so entrapped in its meshes now and again during the past six months, that I forgot my ‘sentence’ (or perhaps I did not wish to think of it), and actually busied myself with affairs. |
“‘I believe,’ indeed! Did that mischievous urchin give it to her?”
| Gania was evidently much alarmed at the idea that the prince would not consent to take his note, and he looked at him now with an expression of absolute entreaty. |
| “Russian books, indeed? Then, of course, you can read and write quite correctly?” |
“You are always thinking about your nephew’s conduct. Don’t believe him, Lizabetha Prokofievna. I can assure you Gorsky and Daniloff are exceptions--and that these are only... mistaken. However, I do not care about receiving them here, in public. Excuse me, Lizabetha Prokofievna. They are coming, and you can see them, and then I will take them away. Please come in, gentlemen!”
The note was written and folded anyhow, evidently in a great hurry, and probably just before Aglaya had come down to the verandah.
“Surely you--are from abroad?” he inquired at last, in a confused sort of way. He had begun his sentence intending to say, “Surely you are not Prince Muishkin, are you?”
| “I know very well that he does deceive me occasionally, and he knows that I know it, but--” The prince did not finish his sentence. |
| “Lukian Timofeyovitch! Lukian Timofeyovitch! Here’s someone to see you! Look here!... a gentleman to speak to you!... Well, it’s not my fault!” and the cook turned and went away red with anger. |
| The doorway was dark and gloomy at any time; but just at this moment it was rendered doubly so by the fact that the thunder-storm had just broken, and the rain was coming down in torrents. |
“And if you had known that I was coming today, why be so irritated about it?” he asked, in quiet surprise.
“An hour later, she came to me again, looking melancholy. ‘I will marry you, Parfen Semeonovitch,’ she says, not because I’m frightened of you, but because it’s all the same to me how I ruin myself. And how can I do it better? Sit down; they’ll bring you some dinner directly. And if I do marry you, I’ll be a faithful wife to you--you need not doubt that.’ Then she thought a bit, and said, ‘At all events, you are not a flunkey; at first, I thought you were no better than a flunkey.’ And she arranged the wedding and fixed the day straight away on the spot.
| As to Lizabetha Prokofievna, she, as the reader knows, belonged to an aristocratic family. True, Russians think more of influential friends than of birth, but she had both. She was esteemed and even loved by people of consequence in society, whose example in receiving her was therefore followed by others. It seems hardly necessary to remark that her family worries and anxieties had little or no foundation, or that her imagination increased them to an absurd degree; but if you have a wart on your forehead or nose, you imagine that all the world is looking at it, and that people would make fun of you because of it, even if you had discovered America! Doubtless Lizabetha Prokofievna was considered “eccentric” in society, but she was none the less esteemed: the pity was that she was ceasing to believe in that esteem. When she thought of her daughters, she said to herself sorrowfully that she was a hindrance rather than a help to their future, that her character and temper were absurd, ridiculous, insupportable. Naturally, she put the blame on her surroundings, and from morning to night was quarrelling with her husband and children, whom she really loved to the point of self-sacrifice, even, one might say, of passion. |
The woman lowered her eyes.
“I expect he knows all about it!” thought the prince.
He sat down with these words, evidently intending to prolong his visit.
| “Yes, that wall of Meyer’s could tell a tale if it liked. There was no spot on its dirty surface that I did not know by heart. Accursed wall! and yet it is dearer to me than all the Pavlofsk trees!--That is--it _would_ be dearer if it were not all the same to me, now! |
“Ah!” cried Hippolyte, turning towards Evgenie Pavlovitch, and looking at him with a queer sort of curiosity.
The laughter became general, and the young officer, who seemed a particularly lively sort of person, simply shook with mirth.
| Ferdishenko led the general up to Nastasia Philipovna. |
“I know nothing, Nastasia Philipovna. I have seen nothing. You are right so far; but I consider that you would be honouring me, and not I you. I am a nobody. You have suffered, you have passed through hell and emerged pure, and that is very much. Why do you shame yourself by desiring to go with Rogojin? You are delirious. You have returned to Mr. Totski his seventy-five thousand roubles, and declared that you will leave this house and all that is in it, which is a line of conduct that not one person here would imitate. Nastasia Philipovna, I love you! I would die for you. I shall never let any man say one word against you, Nastasia Philipovna! and if we are poor, I can work for both.”
“He has the right--the right--” murmured Burdovsky. “Excuse me, prince, but what are your arrangements?” asked Lebedeff, tipsy and exasperated, going up to Muishkin.
“Oh, there I can give you my fullest assurance that she did _not_. I was there all the while--she had no time to do it!”
| “Oh yes, I do; but it is so unnecessary. I mean, I did not think you need make such a proposition,” said the prince, looking confused. |