“When you rang the bell this morning I thought it must be you. I went to the door on tip-toe and heard you talking to the servant opposite. I had told her before that if anyone came and rang--especially you, and I gave her your name--she was not to tell about me. Then I thought, what if he goes and stands opposite and looks up, or waits about to watch the house? So I came to this very window, looked out, and there you were staring straight at me. That’s how it came about.”
“‘Do you know what has suddenly come into my head?’ said I, suddenly--leaning further and further over the rail.
“No--I don’t think I should run away,” replied the prince, laughing outright at last at Aglaya’s questions.
But at this moment something happened which put a most unexpected end to the orator’s speech. All this heated tirade, this outflow of passionate words and ecstatic ideas which seemed to hustle and tumble over each other as they fell from his lips, bore evidence of some unusually disturbed mental condition in the young fellow who had “boiled over” in such a remarkable manner, without any apparent reason.
“Hippolyte, Hippolyte, what is the matter with you?” cried Muishkin.
Lizabetha Prokofievna saw that she returned in such a state of agitation that it was doubtful whether she had even heard their calls. But only a couple of minutes later, when they had reached the park, Aglaya suddenly remarked, in her usual calm, indifferent voice:
He had attained his end. The prince left the house beside himself with terror. “I did not ask about Gania out of curiosity,” said the elder, at last. “I wish to know how much you know about him, because he said just now that we need not stand on ceremony with you. What, exactly, does that mean?”

“I don’t love you, Lef Nicolaievitch, and, therefore, what would be the use of my coming to see you? You are just like a child--you want a plaything, and it must be taken out and given you--and then you don’t know how to work it. You are simply repeating all you said in your letter, and what’s the use? Of course I believe every word you say, and I know perfectly well that you neither did or ever can deceive me in any way, and yet, I don’t love you. You write that you’ve forgotten everything, and only remember your brother Parfen, with whom you exchanged crosses, and that you don’t remember anything about the Rogojin who aimed a knife at your throat. What do you know about my feelings, eh?” (Rogojin laughed disagreeably.) “Here you are holding out your brotherly forgiveness to me for a thing that I have perhaps never repented of in the slightest degree. I did not think of it again all that evening; all my thoughts were centred on something else--”

“No! do you think so?” said the general, catching at the idea.
“But why wear a coat in holes,” asked the girl, “when your new one is hanging behind the door? Did you not see it?”

The prince’s conversation was artless and confiding to a degree, and the servant could not help feeling that as from visitor to common serving-man this state of things was highly improper. His conclusion was that one of two things must be the explanation--either that this was a begging impostor, or that the prince, if prince he were, was simply a fool, without the slightest ambition; for a sensible prince with any ambition would certainly not wait about in ante-rooms with servants, and talk of his own private affairs like this. In either case, how was he to announce this singular visitor?

“No, I have forgotten nothing. Come! This is the house--up this magnificent staircase. I am surprised not to see the porter, but .... it is a holiday... and the man has gone off... Drunken fool! Why have they not got rid of him? Sokolovitch owes all the happiness he has had in the service and in his private life to me, and me alone, but... here we are.”

“I wrote, and I say to you once more, that she is not in her right mind,” said the prince, who had listened with anguish to what Rogojin said.

Every time that Aglaya showed temper (and this was very often), there was so much childish pouting, such “school-girlishness,” as it were, in her apparent wrath, that it was impossible to avoid smiling at her, to her own unutterable indignation. On these occasions she would say, “How can they, how _dare_ they laugh at me?”

Mrs. Epanchin gazed keenly into the prince’s eyes. She was anxious to see what impression the news as to Evgenie Pavlovitch had made upon him.
“Ferdishenko--either tell us your story, or be quiet, and mind your own business. You exhaust all patience,” cuttingly and irritably remarked Nastasia Philipovna.
“He has the right--the right--” murmured Burdovsky. “Excuse me, prince, but what are your arrangements?” asked Lebedeff, tipsy and exasperated, going up to Muishkin.
“Rogojin only leaned his elbow on the table and silently stared at me. So passed two or three minutes, and I recollect that his silence hurt and offended me very much. Why did he not speak?
“I’ve brought your book back,” he began, indicating a book lying on the table. “Much obliged to you for lending it to me.” “Have you quite taken up your quarters here?” asked the prince

There was a question to be decided--most important, but most difficult; so much so, that Mrs. Epanchin did not even see how to put it into words. Would the prince do or not? Was all this good or bad? If good (which might be the case, of course), _why_ good? If bad (which was hardly doubtful), _wherein_, especially, bad? Even the general, the paterfamilias, though astonished at first, suddenly declared that, “upon his honour, he really believed he had fancied something of the kind, after all. At first, it seemed a new idea, and then, somehow, it looked as familiar as possible.” His wife frowned him down there. This was in the morning; but in the evening, alone with his wife, he had given tongue again.

“It’s only for mother’s sake that I spare him,” said Gania, tragically.

“You are still suspicious, I see, and do not believe me; but you may be quite at your ease. There shall be no more tears, nor questions--not from my side, at all events. All I wish is that you may be happy, you know that. I have submitted to my fate; but my heart will always be with you, whether we remain united, or whether we part. Of course I only answer for myself--you can hardly expect your sister--” “That he was a splendid man is perfectly true; you are quite right,” repeated Ivan Petrovitch, but seriously this time. “He was a fine and a worthy fellow--worthy, one may say, of the highest respect,” he added, more and more seriously at each pause; “and it is agreeable to see, on your part, such--”

“The prince! What on earth has the prince got to do with it? Who the deuce is the prince?” cried the general, who could conceal his wrath no longer.

The day after these scandalous events, however, the prince had the honour of receiving a visit from Adelaida and her fiance, Prince S. They came, ostensibly, to inquire after his health. They had wandered out for a walk, and called in “by accident,” and talked for almost the whole of the time they were with him about a certain most lovely tree in the park, which Adelaida had set her heart upon for a picture. This, and a little amiable conversation on Prince S.’s part, occupied the time, and not a word was said about last evening’s episodes. At length Adelaida burst out laughing, apologized, and explained that they had come incognito; from which, and from the circumstance that they said nothing about the prince’s either walking back with them or coming to see them later on, the latter inferred that he was in Mrs. Epanchin’s black books. Adelaida mentioned a watercolour that she would much like to show him, and explained that she would either send it by Colia, or bring it herself the next day--which to the prince seemed very suggestive.

“Certainly. Anything is possible when one is intoxicated, as you neatly express it, prince. But consider--if I, intoxicated or not, dropped an object out of my pocket on to the ground, that object ought to remain on the ground. Where is the object, then?”

Five seconds after the disappearance of the last actor in this scene, the police arrived. The whole episode had not lasted more than a couple of minutes. Some of the spectators had risen from their places, and departed altogether; some merely exchanged their seats for others a little further off; some were delighted with the occurrence, and talked and laughed over it for a long time.
“I have heard of you, and I think read of you in the newspapers.”

The prince made one step forward, and then turned round.

“As to the article, prince,” he said, “I admit that I wrote it, in spite of the severe criticism of my poor friend, in whom I always overlook many things because of his unfortunate state of health. But I wrote and published it in the form of a letter, in the paper of a friend. I showed it to no one but Burdovsky, and I did not read it all through, even to him. He immediately gave me permission to publish it, but you will admit that I might have done so without his consent. Publicity is a noble, beneficent, and universal right. I hope, prince, that you are too progressive to deny this?”
“Then how did they--look here! Did Aglaya show my letter to the old lady?”
“What brutes they all are!” he whispered to the prince. Whenever he addressed him he lowered his voice.

She went away in great anxiety about him, but when she saw him in the morning, he seemed to be quite himself again, greeted her with a smile, and told her that he would very likely be back by the evening. It appears that he did not consider it necessary to inform anyone excepting Vera of his departure for town.

“One moment, my dear prince, just one. I must absolutely speak to you about something which is most grave,” said Lebedeff, mysteriously and solemnly, entering the room with a bow and looking extremely important. He had but just returned, and carried his hat in his hand. He looked preoccupied and most unusually dignified.

“I have met you somewhere, I believe, but--”

The prince redoubled his attentive study of her symptoms. It was a most curious circumstance, in his opinion, that she never spoke of Rogojin. But once, about five days before the wedding, when the prince was at home, a messenger arrived begging him to come at once, as Nastasia Philipovna was very ill.
“Well, and what did the lady do?” asked Nastasia, impatiently.
“I have said already that the moment she comes in I go out, and I shall keep my word,” remarked Varia.

“I don’t know what you are driving at; what mask do you mean?” said Mrs. Epanchin, irritably. She began to see pretty clearly though what it meant, and whom they referred to by the generally accepted title of “poor knight.” But what specially annoyed her was that the prince was looking so uncomfortable, and blushing like a ten-year-old child.

She went away in great anxiety about him, but when she saw him in the morning, he seemed to be quite himself again, greeted her with a smile, and told her that he would very likely be back by the evening. It appears that he did not consider it necessary to inform anyone excepting Vera of his departure for town.
“A word as to my circumstances. When, eight months since, I became very ill, I threw up all my old connections and dropped all my old companions. As I was always a gloomy, morose sort of individual, my friends easily forgot me; of course, they would have forgotten me all the same, without that excuse. My position at home was solitary enough. Five months ago I separated myself entirely from the family, and no one dared enter my room except at stated times, to clean and tidy it, and so on, and to bring me my meals. My mother dared not disobey me; she kept the children quiet, for my sake, and beat them if they dared to make any noise and disturb me. I so often complained of them that I should think they must be very fond, indeed, of me by this time. I think I must have tormented ‘my faithful Colia’ (as I called him) a good deal too. He tormented me of late; I could see that he always bore my tempers as though he had determined to ‘spare the poor invalid.’ This annoyed me, naturally. He seemed to have taken it into his head to imitate the prince in Christian meekness! Surikoff, who lived above us, annoyed me, too. He was so miserably poor, and I used to prove to him that he had no one to blame but himself for his poverty. I used to be so angry that I think I frightened him eventually, for he stopped coming to see me. He was a most meek and humble fellow, was Surikoff. (N.B.--They say that meekness is a great power. I must ask the prince about this, for the expression is his.) But I remember one day in March, when I went up to his lodgings to see whether it was true that one of his children had been starved and frozen to death, I began to hold forth to him about his poverty being his own fault, and, in the course of my remarks, I accidentally smiled at the corpse of his child. Well, the poor wretch’s lips began to tremble, and he caught me by the shoulder, and pushed me to the door. ‘Go out,’ he said, in a whisper. I went out, of course, and I declare I _liked_ it. I liked it at the very moment when I was turned out. But his words filled me with a strange sort of feeling of disdainful pity for him whenever I thought of them--a feeling which I did not in the least desire to entertain. At the very moment of the insult (for I admit that I did insult him, though I did not mean to), this man could not lose his temper. His lips had trembled, but I swear it was not with rage. He had taken me by the arm, and said, ‘Go out,’ without the least anger. There was dignity, a great deal of dignity, about him, and it was so inconsistent with the look of him that, I assure you, it was quite comical. But there was no anger. Perhaps he merely began to despise me at that moment.
“I love Aglaya Ivanovna--she knows it,--and I think she must have long known it.”
“Yes, and he made me a cardboard helmet, and a little wooden sword--I remember!” said Adelaida.

“But enough!” he cried, suddenly. “I see I have been boring you with my--”

“If you don’t mind, I would rather sit here with you,” said the prince; “I should prefer it to sitting in there.”
She laughed, but she was rather angry too.
“No humbug at all.”
“I lost my head!”

Ungovernable rage and madness took entire possession of Gania, and his fury burst out without the least attempt at restraint.

“Oh, I don’t know what this means” cried Ivan Fedorovitch, transported with indignation.

Ptitsin here looked in and beckoned to Gania, who hastily left the room, in spite of the fact that he had evidently wished to say something more and had only made the remark about the room to gain time. The prince had hardly had time to wash and tidy himself a little when the door opened once more, and another figure appeared.
“Oh! I didn’t say it because I _doubt_ the fact, you know. (Ha, ha.) How could I doubt such a thing? (Ha, ha, ha.) I made the remark because--because Nicolai Andreevitch Pavlicheff was such a splendid man, don’t you see! Such a high-souled man, he really was, I assure you.” “Coming, coming,” said the general. “Son of my old friend--” he was heard muttering as he went down the passage. “Well--it’s all most strange to me. That is--my dear fellow, it is such a surprise--such a blow--that... You see, it is not your financial position (though I should not object if you were a bit richer)--I am thinking of my daughter’s happiness, of course, and the thing is--are you able to give her the happiness she deserves? And then--is all this a joke on her part, or is she in earnest? I don’t mean on your side, but on hers.”
The words were hardly out of her mouth, when Lebedeff dragged Vera forward, in order to present her.
The prince was very nervous as he reached the outer door; but he did his best to encourage himself with the reflection that the worst thing that could happen to him would be that he would not be received, or, perhaps, received, then laughed at for coming.
“What did the fellow do?--yell?”
“That means that you have set Aglaya a riddle!” said Adelaida. “Guess it, Aglaya! But she’s pretty, prince, isn’t she?”

“I gave him all the information he needed, and he very soon took his departure; so that, since he only came for the purpose of gaining the information, the matter might have been expected to end there.

“What? Didn’t exist?” cried the poor general, and a deep blush suffused his face.

The prince reddened slightly.

But Gania first conducted the prince to the family apartments. These consisted of a “salon,” which became the dining-room when required; a drawing-room, which was only a drawing-room in the morning, and became Gania’s study in the evening, and his bedroom at night; and lastly Nina Alexandrovna’s and Varvara’s bedroom, a small, close chamber which they shared together.

“Do you know, though,” cried the prince warmly, “you made that remark now, and everyone says the same thing, and the machine is designed with the purpose of avoiding pain, this guillotine I mean; but a thought came into my head then: what if it be a bad plan after all? You may laugh at my idea, perhaps--but I could not help its occurring to me all the same. Now with the rack and tortures and so on--you suffer terrible pain of course; but then your torture is bodily pain only (although no doubt you have plenty of that) until you die. But _here_ I should imagine the most terrible part of the whole punishment is, not the bodily pain at all--but the certain knowledge that in an hour,--then in ten minutes, then in half a minute, then now--this very _instant_--your soul must quit your body and that you will no longer be a man--and that this is certain, _certain_! That’s the point--the certainty of it. Just that instant when you place your head on the block and hear the iron grate over your head--then--that quarter of a second is the most awful of all.

So that if our readers were to ask an explanation, not of the wild reports about the prince’s Nihilistic opinions, but simply as to how such a marriage could possibly satisfy his real aspirations, or as to the spiritual condition of our hero at this time, we confess that we should have great difficulty in giving the required information.

“Excuse me--I will take a seat,” interrupted Hippolyte once more, sitting down deliberately; “for I am not strong yet. Now then, I am ready to hear you. Especially as this is the last chance we shall have of a talk, and very likely the last meeting we shall ever have at all.”
“My father’s name was Nicolai Lvovitch.”
“Thank you,” he said gently. “Sit opposite to me, and let us talk. We must have a talk now, Lizabetha Prokofievna; I am very anxious for it.” He smiled at her once more. “Remember that today, for the last time, I am out in the air, and in the company of my fellow-men, and that in a fortnight I shall certainly be no longer in this world. So, in a way, this is my farewell to nature and to men. I am not very sentimental, but do you know, I am quite glad that all this has happened at Pavlofsk, where at least one can see a green tree.”
“What music?”

“There was no Eropegoff? Eroshka Eropegoff?” he cried, suddenly, stopping in the road in a frenzy. “No Eropegoff! And my own son to say it! Eropegoff was in the place of a brother to me for eleven months. I fought a duel for him. He was married afterwards, and then killed on the field of battle. The bullet struck the cross on my breast and glanced off straight into his temple. ‘I’ll never forget you,’ he cried, and expired. I served my country well and honestly, Colia, but shame, shame has pursued me! You and Nina will come to my grave, Colia; poor Nina, I always used to call her Nina in the old days, and how she loved.... Nina, Nina, oh, Nina. What have I ever done to deserve your forgiveness and long-suffering? Oh, Colia, your mother has an angelic spirit, an angelic spirit, Colia!”

“Because I know all, all--and that is why I speak so. I know very well how you--half a year since--offered her your hand before everybody. Don’t interrupt me. You see, I am merely stating facts without any comment upon them. After that she ran away with Rogojin. Then you lived with her at some village or town, and she ran away from you.” (Aglaya blushed dreadfully.) “Then she returned to Rogojin again, who loves her like a madman. Then you--like a wise man as you are--came back here after her as soon as ever you heard that she had returned to Petersburg. Yesterday evening you sprang forward to protect her, and just now you dreamed about her. You see, I know all. You did come back here for her, for her--now didn’t you?”
“Send me back then this one word of sympathy, only sympathy, I swear to you; and oh! do not be angry with the audacity of despair, with the drowning man who has dared to make this last effort to save himself from perishing beneath the waters.

“Would Rogojin marry her, do you think?”

“When I arose to lock the door after him, I suddenly called to mind a picture I had noticed at Rogojin’s in one of his gloomiest rooms, over the door. He had pointed it out to me himself as we walked past it, and I believe I must have stood a good five minutes in front of it. There was nothing artistic about it, but the picture made me feel strangely uncomfortable. It represented Christ just taken down from the cross. It seems to me that painters as a rule represent the Saviour, both on the cross and taken down from it, with great beauty still upon His face. This marvellous beauty they strive to preserve even in His moments of deepest agony and passion. But there was no such beauty in Rogojin’s picture. This was the presentment of a poor mangled body which had evidently suffered unbearable anguish even before its crucifixion, full of wounds and bruises, marks of the violence of soldiers and people, and of the bitterness of the moment when He had fallen with the cross--all this combined with the anguish of the actual crucifixion.