At this moment in marched Aglaya, as calm and collected as could be. She gave the prince a ceremonious bow and solemnly took up a prominent position near the big round table. She looked at the prince questioningly.
“That will do. I can find out for myself. Only tell me, where is she now? At his house? With him?”The day after these scandalous events, however, the prince had the honour of receiving a visit from Adelaida and her fiance, Prince S. They came, ostensibly, to inquire after his health. They had wandered out for a walk, and called in “by accident,” and talked for almost the whole of the time they were with him about a certain most lovely tree in the park, which Adelaida had set her heart upon for a picture. This, and a little amiable conversation on Prince S.’s part, occupied the time, and not a word was said about last evening’s episodes. At length Adelaida burst out laughing, apologized, and explained that they had come incognito; from which, and from the circumstance that they said nothing about the prince’s either walking back with them or coming to see them later on, the latter inferred that he was in Mrs. Epanchin’s black books. Adelaida mentioned a watercolour that she would much like to show him, and explained that she would either send it by Colia, or bring it herself the next day--which to the prince seemed very suggestive.
“Very likely--I don’t recollect,” continued Prince S.
| “There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!” |
| “‘Do you know what has suddenly come into my head?’ said I, suddenly--leaning further and further over the rail. |
“Stay a little,” said Parfen, not leaving his chair and resting his head on his right hand. “I haven’t seen you for a long time.”
“Surely there must be someone among all of you here who will turn this shameless creature out of the room?” cried Varia, suddenly. She was shaking and trembling with rage.All around, on the bed, on a chair beside it, on the floor, were scattered the different portions of a magnificent white silk dress, bits of lace, ribbons and flowers. On a small table at the bedside glittered a mass of diamonds, torn off and thrown down anyhow. From under a heap of lace at the end of the bed peeped a small white foot, which looked as though it had been chiselled out of marble; it was terribly still.
“Meanwhile he continued to sit and stare jeeringly at me.
“But there is no necessity for you to retire at all,” complained the general, “as far as I know.” “No? I thought you very much younger.”| “Whom? What power?” asked her mother, crossly. |
| “Our Russian intensity not only astonishes ourselves; all Europe wonders at our conduct in such cases! For, if one of us goes over to Roman Catholicism, he is sure to become a Jesuit at once, and a rabid one into the bargain. If one of us becomes an Atheist, he must needs begin to insist on the prohibition of faith in God by force, that is, by the sword. Why is this? Why does he then exceed all bounds at once? Because he has found land at last, the fatherland that he sought in vain before; and, because his soul is rejoiced to find it, he throws himself upon it and kisses it! Oh, it is not from vanity alone, it is not from feelings of vanity that Russians become Atheists and Jesuits! But from spiritual thirst, from anguish of longing for higher things, for dry firm land, for foothold on a fatherland which they never believed in because they never knew it. It is easier for a Russian to become an Atheist, than for any other nationality in the world. And not only does a Russian ‘become an Atheist,’ but he actually _believes in_ Atheism, just as though he had found a new faith, not perceiving that he has pinned his faith to a negation. Such is our anguish of thirst! ‘Whoso has no country has no God.’ That is not my own expression; it is the expression of a merchant, one of the Old Believers, whom I once met while travelling. He did not say exactly these words. I think his expression was: |
| “I’ll bring it you directly. We only have a cook and one maid, so I have to help as much as I can. Varia looks after things, generally, and loses her temper over it. Gania says you have only just arrived from Switzerland?” |
“Oh no, oh no!” said the prince; “I couldn’t, you know--my illness--I hardly ever saw a soul.”
“Then you were there yesterday?”“No, I’m not; I’m not a bit ashamed!” she murmured. “And how do you know my heart is innocent? And how dared you send me a love-letter that time?”
“I saw how the man dashed about the room to find me an empty chair, how he kicked the rags off a chair which was covered up by them, brought it to me, and helped me to sit down; but my cough went on for another three minutes or so. When I came to myself he was sitting by me on another chair, which he had also cleared of the rubbish by throwing it all over the floor, and was watching me intently.
| The prince regarded Lebedeff with astonishment. |
| “I am of your opinion on that last point,” said Ivan Fedorovitch, with ill-concealed irritation. |
| “Did no one awake me besides yourself? Was there no one else here? I thought there was another woman.” |
| “Oh, it was about the general,” began the prince, waking abruptly from the fit of musing which he too had indulged in “and--and about the theft you told me of.” |
“‘Tis he, ‘tis he!” he said at last, quietly, but with much solemnity. “As though he were alive once more. I heard the familiar name--the dear familiar name--and, oh! how it reminded me of the irrevocable past--Prince Muishkin, I believe?”
| “He is the sort of man,” he continued, “who won’t give up his object, you know; he is not like you and me, prince--he belongs to quite a different order of beings. If he sets his heart on a thing he won’t be afraid of anything--” and so on. |
“What was the matter yesterday?” (she wrote on another sheet). “I passed by you, and you seemed to me to _blush_. Perhaps it was only my fancy. If I were to bring you to the most loathsome den, and show you the revelation of undisguised vice--you should not blush. You can never feel the sense of personal affront. You may hate all who are mean, or base, or unworthy--but not for yourself--only for those whom they wrong. No one can wrong _you_. Do you know, I think you ought to love me--for you are the same in my eyes as in his--you are as light. An angel cannot hate, perhaps cannot love, either. I often ask myself--is it possible to love everybody? Indeed it is not; it is not in nature. Abstract love of humanity is nearly always love of self. But you are different. You cannot help loving all, since you can compare with none, and are above all personal offence or anger. Oh! how bitter it would be to me to know that you felt anger or shame on my account, for that would be your fall--you would become comparable at once with such as me.
| “Nor the general? Ha, ha, ha!” |
“And I’ve heard one!” said Adelaida. All three of the girls laughed out loud, and the prince laughed with them.
| “Oh, come to Colmina, then! Come--let us go at once!” |
| “The owner was now some forty yards ahead of me, and was very soon lost in the crowd. I ran after him, and began calling out; but as I knew nothing to say excepting ‘hey!’ he did not turn round. Suddenly he turned into the gate of a house to the left; and when I darted in after him, the gateway was so dark that I could see nothing whatever. It was one of those large houses built in small tenements, of which there must have been at least a hundred. |
| “Asleep?” whispered the prince. |
He had the key in his hand. Mounting the staircase he turned and signalled to the prince to go more softly; he opened the door very quietly, let the prince in, followed him, locked the door behind him, and put the key in his pocket.
“Of course; you can’t go in _there_ with it on, anyhow.”
Evgenie called upon the prince the day after that on which the Epanchins left Pavlofsk. He knew of all the current rumours,--in fact, he had probably contributed to them himself. The prince was delighted to see him, and immediately began to speak of the Epanchins;--which simple and straightforward opening quite took Evgenie’s fancy, so that he melted at once, and plunged in medias res without ceremony.