If it had been any other family than the Epanchins’, nothing particular would have happened. But, thanks to Mrs. Epanchin’s invariable fussiness and anxiety, there could not be the slightest hitch in the simplest matters of everyday life, but she immediately foresaw the most dreadful and alarming consequences, and suffered accordingly. “An old peasant woman opened the door; she was busy lighting the ‘samovar’ in a tiny kitchen. She listened silently to my questions, did not understand a word, of course, and opened another door leading into a little bit of a room, low and scarcely furnished at all, but with a large, wide bed in it, hung with curtains. On this bed lay one Terentich, as the woman called him, drunk, it appeared to me. On the table was an end of candle in an iron candlestick, and a half-bottle of vodka, nearly finished. Terentich muttered something to me, and signed towards the next room. The old woman had disappeared, so there was nothing for me to do but to open the door indicated. I did so, and entered the next room.
“What if he were to come out of that corner as I go by and--and stop me?” thought the prince, as he approached the familiar spot. But no one came out.
“Well, take her! It’s Fate! She’s yours. I surrender her.... Remember Rogojin!” And pushing the prince from him, without looking back at him, he hurriedly entered his own flat, and banged the door.
“Yes, I remember he boasted about the blank wall in an extraordinary way,” continued Evgenie, “and I feel that without that blank wall he will never be able to die eloquently; and he does so long to die eloquently!”
“Bravo, prince!” cried Ferdishenko, delighted.
“You are not angry with me?” he asked suddenly, and with a kind of nervous hurry, although he looked them straight in the face.
“I hardly dare say,” said Lizabetha, as hurriedly, “but I think it’s as plain as anything can be.”
There was absolute hatred in his eyes as he said this, but his look of fear and his trembling had not left him. “I have said above that the determination needed by me for the accomplishment of my final resolve, came to hand not through any sequence of causes, but thanks to a certain strange circumstance which had perhaps no connection whatever with the matter at issue. Ten days ago Rogojin called upon me about certain business of his own with which I have nothing to do at present. I had never seen Rogojin before, but had often heard about him. The deathlike pallor, and a sort of slight convulsion about the lips, had not left Rogojin’s face. Though he welcomed his guest, he was still obviously much disturbed. As he invited the prince to sit down near the table, the latter happened to turn towards him, and was startled by the strange expression on his face. A painful recollection flashed into his mind. He stood for a time, looking straight at Rogojin, whose eyes seemed to blaze like fire. At last Rogojin smiled, though he still looked agitated and shaken.

“Yes,” said the prince, squeezing the word out with difficulty owing to the dreadful beating of his heart.

“Yes, she promised. We both worried her so that she gave in; but she wished us to tell you nothing about it until the day.”
“How subtle you are, Afanasy Ivanovitch! You astonish me,” cried Ferdishenko. “You will remark, gentlemen, that in saying that I could not recount the story of my theft so as to be believed, Afanasy Ivanovitch has very ingeniously implied that I am not capable of thieving--(it would have been bad taste to say so openly); and all the time he is probably firmly convinced, in his own mind, that I am very well capable of it! But now, gentlemen, to business! Put in your slips, ladies and gentlemen--is yours in, Mr. Totski? So--then we are all ready; now prince, draw, please.” The prince silently put his hand into the hat, and drew the names. Ferdishenko was first, then Ptitsin, then the general, Totski next, his own fifth, then Gania, and so on; the ladies did not draw.
“Wait five minutes more, Mr. Burdovsky,” said Gavrila Ardalionovitch pleasantly. “I have more to say. Some rather curious and important facts have come to light, and it is absolutely necessary, in my opinion, that you should hear them. You will not regret, I fancy, to have the whole matter thoroughly cleared up.”
“This man assures me,” said Aglaya, scornfully, when the prince had finished reading the letter, “that the words ‘break off everything’ do not commit me to anything whatever; and himself gives me a written guarantee to that effect, in this letter. Observe how ingenuously he underlines certain words, and how crudely he glosses over his hidden thoughts. He must know that if he ‘broke off everything,’ _first_, by himself, and without telling me a word about it or having the slightest hope on my account, that in that case I should perhaps be able to change my opinion of him, and even accept his--friendship. He must know that, but his soul is such a wretched thing. He knows it and cannot make up his mind; he knows it and yet asks for guarantees. He cannot bring himself to _trust_, he wants me to give him hopes of myself before he lets go of his hundred thousand roubles. As to the ‘former word’ which he declares ‘lighted up the night of his life,’ he is simply an impudent liar; I merely pitied him once. But he is audacious and shameless. He immediately began to hope, at that very moment. I saw it. He has tried to catch me ever since; he is still fishing for me. Well, enough of this. Take the letter and give it back to him, as soon as you have left our house; not before, of course.”
“Be quiet, you can talk afterwards! What was the letter about? Why are you blushing?”
“If you don’t understand, then--but of course, you do understand. He wished--he wished to bless you all round and to have your blessing--before he died--that’s all.” “But, you wretched man, at least she must have said something? There must be _some_ answer from her!”
“Pardon me, it is no offence to wish to know this; you are her mother. We met at the green bench this morning, punctually at seven o’clock,--according to an agreement made by Aglaya Ivanovna with myself yesterday. She said that she wished to see me and speak to me about something important. We met and conversed for an hour about matters concerning Aglaya Ivanovna herself, and that’s all.”
“Not at all. I am only proving that you are glad about the letter. Why conceal your real feelings? You always like to do it.”
“Oh, is that it? That makes a difference, perhaps. What did you go to the bandstand for?”
“At the table stood a man in his shirt sleeves; he had thrown off his coat; it lay upon the bed; and he was unfolding a blue paper parcel in which were a couple of pounds of bread, and some little sausages.
“I _did_ suspect him. When I woke up at half-past seven and tore my hair in despair for my loss and carelessness, I awoke the general, who was sleeping the sleep of innocence near me. Taking into consideration the sudden disappearance of Ferdishenko, which was suspicious in itself, we decided to search Keller, who was lying there sleeping like a top. Well, we searched his clothes thoroughly, and not a farthing did we find; in fact, his pockets all had holes in them. We found a dirty handkerchief, and a love-letter from some scullery-maid. The general decided that he was innocent. We awoke him for further inquiries, and had the greatest difficulty in making him understand what was up. He opened his mouth and stared--he looked so stupid and so absurdly innocent. It wasn’t Keller.”
“Nastasia Philipovna? She does not live there, and to tell you the truth my father has never been to her house! It is strange that you should have depended on him! She lives near Wladimir Street, at the Five Corners, and it is quite close by. Will you go directly? It is just half-past nine. I will show you the way with pleasure.”

These words caused a sensation among the listeners, and there was a general movement of relief. Burdovsky got up abruptly.

“Oh! I can’t do that,” said the prince, laughing too. “I lived almost all the while in one little Swiss village; what can I teach you? At first I was only just not absolutely dull; then my health began to improve--then every day became dearer and more precious to me, and the longer I stayed, the dearer became the time to me; so much so that I could not help observing it; but why this was so, it would be difficult to say.”

“It was Gogol, in Dead Souls, father,” cried Colia, glancing at him in some alarm.
“How can it be foreign? You _are_ going to be married, are you not? Very well, then you are persisting in your course. _Are_ you going to marry her or not?”
“Thank you; I am glad to be like mamma,” she said, thoughtfully. “You respect her very much, don’t you?” she added, quite unconscious of the naiveness of the question.

She seemed to wish to show him something, not far off, in the park.

“My father was just about to be tried when he died,” said the prince, “although I never knew of what he was accused. He died in hospital.”

“All the while I was in their house I felt sure that somewhere beneath the floor there was hidden away some dreadful corpse, wrapped in oil-cloth, perhaps buried there by his father, who knows? Just as in the Moscow case. I could have shown you the very spot!
“Why did you not ask for me at my room if you were in the hotel?” asked the prince, suddenly.
At the end of that time, and about four months after Totski’s last visit (he had stayed but a fortnight on this occasion), a report reached Nastasia Philipovna that he was about to be married in St. Petersburg, to a rich, eminent, and lovely woman. The report was only partially true, the marriage project being only in an embryo condition; but a great change now came over Nastasia Philipovna. She suddenly displayed unusual decision of character; and without wasting time in thought, she left her country home and came up to St. Petersburg, straight to Totski’s house, all alone.
“Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people.
Adelaida had long since detected in Aglaya’s features the gathering signs of an approaching storm of laughter, which she restrained with amazing self-control.
“Oh no! I have been here a long while,” replied Colia, who was at the front door when the general met him. “I am keeping Hippolyte company. He is worse, and has been in bed all day. I came down to buy some cards. Marfa Borisovna expects you. But what a state you are in, father!” added the boy, noticing his father’s unsteady gait. “Well, let us go in.”
“It seems absurd to trust a little pepper-box like you,” said Aglaya, as she returned the note, and walked past the “pepper-box” with an expression of great contempt.
We have seen, however, that the general paid a visit to Lizabetha Prokofievna and caused trouble there, the final upshot being that he frightened Mrs. Epanchin, and angered her by bitter hints as to his son Gania.
“My father picked up all these pictures very cheap at auctions, and so on,” he said; “they are all rubbish, except the one over the door, and that is valuable. A man offered five hundred roubles for it last week.”
On scrutinizing him, the prince soon saw that the general was quite a different man from what he had been the day before; he looked like one who had come to some momentous resolve. His calmness, however, was more apparent than real. He was courteous, but there was a suggestion of injured innocence in his manner.

“Let it to me,” said the prince.

“Yes, she promised. We both worried her so that she gave in; but she wished us to tell you nothing about it until the day.”
“You don’t answer me; perhaps you think I am very fond of you?” added Hippolyte, as though the words had been drawn from him.
“Yes, yes,” agreed the prince, warmly.

Lebedeff and Colia came rushing up at this moment.

III.
At this moment Vera came up to Lizabetha Prokofievna, carrying several large and beautifully bound books, apparently quite new.
“Just a couple of words, prince, if you’ll excuse me. Don’t blab over _there_ about what you may see here, or in this house as to all that about Aglaya and me, you know. Things are not altogether pleasant in this establishment--devil take it all! You’ll see. At all events keep your tongue to yourself for _today_.”
“Yes, I think so!” said Adelaida.
“Do you think yourself my master, that you try to keep me under lock and key like this?” said the prince to Lebedeff. “In the country, at least, I intend to be free, and you may make up your mind that I mean to see whom I like, and go where I please.”
“I sometimes think of coming over to you again,” said Hippolyte, carelessly. “So you _don’t_ think them capable of inviting a man on the condition that he is to look sharp and die?”

“But what is it all about? Tell me, for Heaven’s sake! Cannot you understand how nearly it touches me? Why are they blackening Evgenie Pavlovitch’s reputation?”

“Be quiet, be quiet, be quiet, be quiet!” Aglaya struck in, suddenly, seizing his hand in hers, and gazing at him almost in terror.

“Yes, he will be ashamed!” cried Rogojin. “You will be properly ashamed of yourself for having injured such a--such a sheep” (he could not find a better word). “Prince, my dear fellow, leave this and come away with me. I’ll show you how Rogojin shows his affection for his friends.”

“My dear Lebedeff, I--”
Nastasia Philipovna gazed at him with a haughty, ironical expression of face; but when she glanced at Nina Alexandrovna and Varia, and from them to Gania, she changed her tone, all of a sudden.
“Very well, we’ll drop it for a while. You can’t look at anything but in your exalted, generous way. You must put out your finger and touch a thing before you’ll believe it, eh? Ha! ha! ha! I suppose you despise me dreadfully, prince, eh? What do you think?”
Parfen was silent. With sad surprise the prince observed that the look of distrust, the bitter, ironical smile, had still not altogether left his newly-adopted brother’s face. At moments, at all events, it showed itself but too plainly,

“Oh, you needn’t fear! He’ll live another six weeks all right. Very likely he will recover altogether; but I strongly advise you to pack him off tomorrow.”

Evgenie called upon the prince the day after that on which the Epanchins left Pavlofsk. He knew of all the current rumours,--in fact, he had probably contributed to them himself. The prince was delighted to see him, and immediately began to speak of the Epanchins;--which simple and straightforward opening quite took Evgenie’s fancy, so that he melted at once, and plunged in medias res without ceremony.
Gavrila Ardalionovitch nodded to the prince and entered the room hastily.
She walked past the orchestra, to where an open carriage was waiting, near the road.

“Don’t, Colia,--what is the use of saying all that?” cried the prince, rising and taking his hat.

Aglaya observed it, and trembled with anger.
“Will you let me ask the prince for a cup of tea?... I am exhausted. Do you know what you might do, Lizabetha Prokofievna? I think you wanted to take the prince home with you for tea. Stay here, and let us spend the evening together. I am sure the prince will give us all some tea. Forgive me for being so free and easy--but I know you are kind, and the prince is kind, too. In fact, we are all good-natured people--it is really quite comical.”

For instance, when the whole essence of an ordinary person’s nature lies in his perpetual and unchangeable commonplaceness; and when in spite of all his endeavours to do something out of the common, this person ends, eventually, by remaining in his unbroken line of routine--. I think such an individual really does become a type of his own--a type of commonplaceness which will not for the world, if it can help it, be contented, but strains and yearns to be something original and independent, without the slightest possibility of being so. To this class of commonplace people belong several characters in this novel;--characters which--I admit--I have not drawn very vividly up to now for my reader’s benefit.

The staircase led to the first and second corridors of the hotel, along which lay the guests’ bedrooms. As is often the case in Petersburg houses, it was narrow and very dark, and turned around a massive stone column.
“What are you grinning at my father’s portrait again for?” asked Rogojin, suddenly. He was carefully observing every change in the expression of the prince’s face.
PART IV
“Why? do you--”
“Oh, yes; I angered him--I certainly did anger him,” replied Rogojin. “But what puts me out so is my brother. Of course my mother couldn’t do anything--she’s too old--and whatever brother Senka says is law for her! But why couldn’t he let me know? He sent a telegram, they say. What’s the good of a telegram? It frightened my aunt so that she sent it back to the office unopened, and there it’s been ever since! It’s only thanks to Konief that I heard at all; he wrote me all about it. He says my brother cut off the gold tassels from my father’s coffin, at night ‘because they’re worth a lot of money!’ says he. Why, I can get him sent off to Siberia for that alone, if I like; it’s sacrilege. Here, you--scarecrow!” he added, addressing the clerk at his side, “is it sacrilege or not, by law?”

“N-no!--I don’t think so. A coward is a man who is afraid and runs away; the man who is frightened but does not run away, is not quite a coward,” said the prince with a smile, after a moment’s thought.

“Let’s all go to my boudoir,” she said, “and they shall bring some coffee in there. That’s the room where we all assemble and busy ourselves as we like best,” she explained. “Alexandra, my eldest, here, plays the piano, or reads or sews; Adelaida paints landscapes and portraits (but never finishes any); and Aglaya sits and does nothing. I don’t work too much, either. Here we are, now; sit down, prince, near the fire and talk to us. I want to hear you relate something. I wish to make sure of you first and then tell my old friend, Princess Bielokonski, about you. I wish you to know all the good people and to interest them. Now then, begin!”

He passed under the gateway and into the street. The crowds of people walking about--as is always the case at sunset in Petersburg, during the summer--surprised him, but he walked on in the direction of Rogojin’s house.

“Sometimes it was very painful to me, and once he caught me with tears in my eyes. He looked at me kindly. ‘You are sorry for me,’ he said, ‘you, my child, and perhaps one other child--my son, the King of Rome--may grieve for me. All the rest hate me; and my brothers are the first to betray me in misfortune.’ I sobbed and threw myself into his arms. He could not resist me--he burst into tears, and our tears mingled as we folded each other in a close embrace.
“What do you mean? What are you convinced of?” they demanded angrily.

“And if you had known that I was coming today, why be so irritated about it?” he asked, in quiet surprise.

Left alone, he lay down on the sofa, and began to think.

Gania left the room in great good humour. The prince stayed behind, and meditated alone for a few minutes. At length, Colia popped his head in once more.
What had really happened?
“Suddenly, just before the whistle, in came two ladies with a little poodle, and sat down opposite to me; not bad-looking women; one was in light blue, the other in black silk. The poodle, a beauty with a silver collar, lay on light blue’s knee. They looked haughtily about, and talked English together. I took no notice, just went on smoking. I observed that the ladies were getting angry--over my cigar, doubtless. One looked at me through her tortoise-shell eyeglass.

“What’s the good of tormenting him like this?” cried the prince.

Nothing was said; there were not even any hints dropped; but still, it seemed better to the parents to say nothing more about going abroad this season, at all events. Aglaya herself perhaps was of a different opinion.
VI.
“She was a Countess who rose from shame to reign like a Queen. An Empress wrote to her, with her own hand, as ‘_Ma chère cousine_.’ At a _lever-du-roi_ one morning (do you know what a _lever-du-roi_ was?)--a Cardinal, a Papal legate, offered to put on her stockings; a high and holy person like that looked on it as an honour! Did you know this? I see by your expression that you did not! Well, how did she die? Answer!”