“Allow me!”
Aglaya then lost her temper, and began to say such awful things to the prince that he laughed no more, but grew dreadfully pale, especially when she said that she should not remain in the house with him, and that he ought to be ashamed of coming to their house at all, especially at night, “_after all that had happened._”

“Why, don’t you, aren’t you--” began the general, in alarm.

The general flushed with indignation as he spoke.

PART II

They were in no hurry to marry. They liked good society, but were not too keen about it. All this was the more remarkable, because everyone was well aware of the hopes and aims of their parents.
“That they do _not_ know about it in the house is quite certain, the rest of them, I mean; but you have given me an idea. Aglaya perhaps knows. She alone, though, if anyone; for the sisters were as astonished as I was to hear her speak so seriously. If she knows, the prince must have told her.”
He was sitting in the Summer Garden on a seat under a tree, and his mind dwelt on the matter. It was about seven o’clock, and the place was empty. The stifling atmosphere foretold a storm, and the prince felt a certain charm in the contemplative mood which possessed him. He found pleasure, too, in gazing at the exterior objects around him. All the time he was trying to forget some thing, to escape from some idea that haunted him; but melancholy thoughts came back, though he would so willingly have escaped from them. He remembered suddenly how he had been talking to the waiter, while he dined, about a recently committed murder which the whole town was discussing, and as he thought of it something strange came over him. He was seized all at once by a violent desire, almost a temptation, against which he strove in vain.
“That is exactly the word I wanted,” said the general with satisfaction--“a curiosity. However, the most astonishing and, if I may so express myself, the most painful, thing in this matter, is that you cannot even understand, young man, that Lizabetha Prokofievna, only stayed with you because you are ill,--if you really are dying--moved by the pity awakened by your plaintive appeal, and that her name, character, and social position place her above all risk of contamination. Lizabetha Prokofievna!” he continued, now crimson with rage, “if you are coming, we will say goodnight to the prince, and--”
“I don’t believe it! It’s impossible! What object could they have?” He jumped up from his chair in his excitement.
In the first place there were present Totski, and General Epanchin. They were both highly amiable, but both appeared to be labouring under a half-hidden feeling of anxiety as to the result of Nastasia’s deliberations with regard to Gania, which result was to be made public this evening.
“When I entered the yard I thought I saw a man going along on the far side of it; but it was so dark I could not make out his figure.
VI.
“If he cared to kiss you, that is,” said Alexandra, whose cheeks were red with irritation and excitement.
“Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people.
“Excuse me; I was able to deliver it almost immediately after receiving your commission, and I gave it, too, just as you asked me to. It has come into my hands now because Aglaya Ivanovna has just returned it to me.”

What had really happened?

“‘Dead Souls,’ yes, of course, dead. When I die, Colia, you must engrave on my tomb:

“What am I doing? What am I doing to you?” she sobbed convulsively, embracing his knees.

Gania hurled Ferdishenko from him; then he turned sharp round and made for the door. But he had not gone a couple of steps when he tottered and fell to the ground.

“Quite so,” replied the general, “and what can I do for you?”
“Yesterday morning,” he replied, “we had an interview which we all gave our word of honour to keep secret.”

“Oh, but I do know, as it happens,” said the clerk in an aggravating manner. “Lebedeff knows all about her. You are pleased to reproach me, your excellency, but what if I prove that I am right after all? Nastasia Phillpovna’s family name is Barashkoff--I know, you see--and she is a very well known lady, indeed, and comes of a good family, too. She is connected with one Totski, Afanasy Ivanovitch, a man of considerable property, a director of companies, and so on, and a great friend of General Epanchin, who is interested in the same matters as he is.”

“Nothing unexpected. I discovered that it’s all true. My husband was wiser than either of us. Just as he suspected from the beginning, so it has fallen out. Where is he?”

“I--I intended to try for a certificate as private tutor.”

The prince hastened to apologize, very properly, for yesterday’s mishap with the vase, and for the scene generally.

“Well?” cried the prince.

“Prince,” asked Nina Alexandrovna, “I wanted to inquire whether you have known my son long? I think he said that you had only arrived today from somewhere.”
“Well, just now you said there were no honest nor good people about, that there were only money-grubbers--and here they are quite close at hand, these honest and good people, your mother and Varia! I think there is a good deal of moral strength in helping people in such circumstances.”
The woman lowered her eyes.
“It was engineered by other people, and is, properly speaking, rather a fantasy than an intrigue!”
This was odd of Lizabetha Prokofievna and her daughters. They had themselves decided that it would be better if the prince did not talk all the evening. Yet seeing him sitting silent and alone, but perfectly happy, they had been on the point of exerting themselves to draw him into one of the groups of talkers around the room. Now that he was in the midst of a talk they became more than ever anxious and perturbed. “There,” he whispered, nodding his head towards the curtain.