So saying he smiled strangely; but suddenly and excitedly he began again:

“I thought” he stammered, making for the door.

“Yes.”

He returned thoughtful and confused; the riddle lay heavier than ever on his soul. He was troubled about the prince, too, and so bewildered that he did not even observe Rogojin’s rowdy band crowd past him and step on his toes, at the door as they went out. They were all talking at once. Rogojin went ahead of the others, talking to Ptitsin, and apparently insisting vehemently upon something very important.

Suddenly Gania approached our hero who was at the moment standing over Nastasia Philipovna’s portrait, gazing at it.

Nastasia Philipovna was waiting for them in the first room they went into. She was dressed very simply, in black.

“I trust your voice, when I hear you speak. I quite understand that you and I cannot be put on a level, of course.”

Gania lit a cigarette and offered one to the prince. The latter accepted the offer, but did not talk, being unwilling to disturb Gania’s work. He commenced to examine the study and its contents. But Gania hardly so much as glanced at the papers lying before him; he was absent and thoughtful, and his smile and general appearance struck the prince still more disagreeably now that the two were left alone together.

All three of the Miss Epanchins were fine, healthy girls, well-grown, with good shoulders and busts, and strong--almost masculine--hands; and, of course, with all the above attributes, they enjoyed capital appetites, of which they were not in the least ashamed.

“Have I been acting rightly in allowing him to develop such vast resources of imagination?” the prince asked himself. But his answer was a fit of violent laughter which lasted ten whole minutes. He tried to reproach himself for the laughing fit, but eventually concluded that he needn’t do so, since in spite of it he was truly sorry for the old man. The same evening he received a strange letter, short but decided. The general informed him that they must part for ever; that he was grateful, but that even from him he could not accept “signs of sympathy which were humiliating to the dignity of a man already miserable enough.”

“I remembered there was some quarrel between father and Miss Smith, the Bielokonski’s governess,” said Colia.

IV.

“You don’t know what anger is!” laughed Rogojin, in reply to the prince’s heated words.

“Are you trying to frighten me? I am not Tania, you know, and I don’t intend to run away. Look, you are waking Lubotchka, and she will have convulsions again. Why do you shout like that?”

“Then about executions.”

Above his head some little bird sang out, of a sudden; he began to peer about for it among the leaves. Suddenly the bird darted out of the tree and away, and instantly he thought of the “fly buzzing about in the sun’s rays” that Hippolyte had talked of; how that it knew its place and was a participator in the universal life, while he alone was an “outcast.” This picture had impressed him at the time, and he meditated upon it now. An old, forgotten memory awoke in his brain, and suddenly burst into clearness and light. It was a recollection of Switzerland, during the first year of his cure, the very first months. At that time he had been pretty nearly an idiot still; he could not speak properly, and had difficulty in understanding when others spoke to him. He climbed the mountain-side, one sunny morning, and wandered long and aimlessly with a certain thought in his brain, which would not become clear. Above him was the blazing sky, below, the lake; all around was the horizon, clear and infinite. He looked out upon this, long and anxiously. He remembered how he had stretched out his arms towards the beautiful, boundless blue of the horizon, and wept, and wept. What had so tormented him was the idea that he was a stranger to all this, that he was outside this glorious festival.

But Lizabetha Prokofievna knew perfectly well how unnecessary was the last question. She set a high value on Alexandra Ivanovna’s judgment, and often consulted her in difficulties; but that she was a ‘wet hen’ she never for a moment doubted. “She is so calm; nothing rouses her--though wet hens are not always calm! Oh! I can’t understand it!” Her eldest daughter inspired Lizabetha with a kind of puzzled compassion. She did not feel this in Aglaya’s case, though the latter was her idol. It may be said that these outbursts and epithets, such as “wet hen” (in which the maternal solicitude usually showed itself), only made Alexandra laugh. Sometimes the most trivial thing annoyed Mrs. Epanchin, and drove her into a frenzy. For instance, Alexandra Ivanovna liked to sleep late, and was always dreaming, though her dreams had the peculiarity of being as innocent and naive as those of a child of seven; and the very innocence of her dreams annoyed her mother. Once she dreamt of nine hens, and this was the cause of quite a serious quarrel--no one knew why. Another time she had--it was most unusual--a dream with a spark of originality in it. She dreamt of a monk in a dark room, into which she was too frightened to go. Adelaida and Aglaya rushed off with shrieks of laughter to relate this to their mother, but she was quite angry, and said her daughters were all fools.

“Yes, she is inquisitive,” assented the prince.

On reaching the gate of Daria Alexeyevna’s house, Keller found a far denser crowd than he had encountered at the prince’s. The remarks and exclamations of the spectators here were of so irritating a nature that Keller was very near making them a speech on the impropriety of their conduct, but was luckily caught by Burdovsky, in the act of turning to address them, and hurried indoors.

At this moment Gania and Ptitsin entered the room together, and Nina Alexandrovna immediately became silent again. The prince remained seated next to her, but Varia moved to the other end of the room; the portrait of Nastasia Philipovna remained lying as before on the work-table. Gania observed it there, and with a frown of annoyance snatched it up and threw it across to his writing-table, which stood at the other end of the room.

So ended Aglaya; and, to look at her, it was difficult, indeed, to judge whether she was joking or in earnest.

It would be difficult to describe the pitiable scene that now followed. The first sensation of alarm soon gave place to amusement; some burst out laughing loud and heartily, and seemed to find a malicious satisfaction in the joke. Poor Hippolyte sobbed hysterically; he wrung his hands; he approached everyone in turn--even Ferdishenko--and took them by both hands, and swore solemnly that he had forgotten--absolutely forgotten--“accidentally, and not on purpose,”--to put a cap in--that he “had ten of them, at least, in his pocket.” He pulled them out and showed them to everyone; he protested that he had not liked to put one in beforehand for fear of an accidental explosion in his pocket. That he had thought he would have lots of time to put it in afterwards--when required--and, that, in the heat of the moment, he had forgotten all about it. He threw himself upon the prince, then on Evgenie Pavlovitch. He entreated Keller to give him back the pistol, and he’d soon show them all that “his honour--his honour,”--but he was “dishonoured, now, for ever!”