“Wasn’t it this same Pavlicheff about whom there was a strange story in connection with some abbot? I don’t remember who the abbot was, but I remember at one time everybody was talking about it,” remarked the old dignitary.

“Well? Go on.”

Nastasia Philipovna looked surprised, and smiled, but evidently concealed something beneath her smile and with some confusion and a glance at Gania she left the room.
“Naturally, all this--”
“Why, how could she--”
In a word, the incident closed as such incidents do, and the band began to play again. The prince walked away after the Epanchin party. Had he thought of looking round to the left after he had been pushed so unceremoniously into the chair, he would have observed Aglaya standing some twenty yards away. She had stayed to watch the scandalous scene in spite of her mother’s and sisters’ anxious cries to her to come away.
They stopped before a somewhat low doorway on the fourth floor. Ardalion Alexandrovitch, evidently much out of countenance, pushed Muishkin in front.
“A crowd of people had collected to see how she would cry. The parson, a young fellow ambitious of becoming a great preacher, began his sermon and pointed to Marie. ‘There,’ he said, ‘there is the cause of the death of this venerable woman’--(which was a lie, because she had been ill for at least two years)--‘there she stands before you, and dares not lift her eyes from the ground, because she knows that the finger of God is upon her. Look at her tatters and rags--the badge of those who lose their virtue. Who is she? her daughter!’ and so on to the end.
“Mountains?”
When day dawned, two passengers in one of the third-class carriages found themselves opposite each other. Both were young fellows, both were rather poorly dressed, both had remarkable faces, and both were evidently anxious to start a conversation. If they had but known why, at this particular moment, they were both remarkable persons, they would undoubtedly have wondered at the strange chance which had set them down opposite to one another in a third-class carriage of the Warsaw Railway Company.

“Who, in the name of what Law, would think of disputing my full personal right over the fortnight of life left to me? What jurisdiction can be brought to bear upon the case? Who would wish me, not only to be sentenced, but to endure the sentence to the end? Surely there exists no man who would wish such a thing--why should anyone desire it? For the sake of morality? Well, I can understand that if I were to make an attempt upon my own life while in the enjoyment of full health and vigour--my life which might have been ‘useful,’ etc., etc.--morality might reproach me, according to the old routine, for disposing of my life without permission--or whatever its tenet may be. But now, _now_, when my sentence is out and my days numbered! How can morality have need of my last breaths, and why should I die listening to the consolations offered by the prince, who, without doubt, would not omit to demonstrate that death is actually a benefactor to me? (Christians like him always end up with that--it is their pet theory.) And what do they want with their ridiculous ‘Pavlofsk trees’? To sweeten my last hours? Cannot they understand that the more I forget myself, the more I let myself become attached to these last illusions of life and love, by means of which they try to hide from me Meyer’s wall, and all that is so plainly written on it--the more unhappy they make me? What is the use of all your nature to me--all your parks and trees, your sunsets and sunrises, your blue skies and your self-satisfied faces--when all this wealth of beauty and happiness begins with the fact that it accounts me--only me--one too many! What is the good of all this beauty and glory to me, when every second, every moment, I cannot but be aware that this little fly which buzzes around my head in the sun’s rays--even this little fly is a sharer and participator in all the glory of the universe, and knows its place and is happy in it;--while I--only I, am an outcast, and have been blind to the fact hitherto, thanks to my simplicity! Oh! I know well how the prince and others would like me, instead of indulging in all these wicked words of my own, to sing, to the glory and triumph of morality, that well-known verse of Gilbert’s:

“I felt sure of that, or I should not have come to you. We might manage it with the help of Nina Alexandrovna, so that he might be closely watched in his own house. Unfortunately I am not on terms... otherwise... but Nicolai Ardalionovitch, who adores you with all his youthful soul, might help, too.” “It seems to me, Mr. Colia, that you were very foolish to bring your young friend down--if he is the same consumptive boy who wept so profusely, and invited us all to his own funeral,” remarked Evgenie Pavlovitch. “He talked so eloquently about the blank wall outside his bedroom window, that I’m sure he will never support life here without it.” “I wrote, and I say to you once more, that she is not in her right mind,” said the prince, who had listened with anguish to what Rogojin said.
Aglaya rushed away homewards with these words.
Perhaps the sisterly love and friendship of the three girls had more or less exaggerated Aglaya’s chances of happiness. In their opinion, the latter’s destiny was not merely to be very happy; she was to live in a heaven on earth. Aglaya’s husband was to be a compendium of all the virtues, and of all success, not to speak of fabulous wealth. The two elder sisters had agreed that all was to be sacrificed by them, if need be, for Aglaya’s sake; her dowry was to be colossal and unprecedented.

“Ha! and whose eyes may they have been?” said Rogojin, suspiciously. It seemed to the prince that he was trembling.

“And meanwhile I have never been able, in spite of my great desire to do so, to persuade myself that there is no future existence, and no Providence.

“I only now perceive what a terrible mistake I made in reading this article to them,” said Hippolyte, suddenly, addressing Evgenie, and looking at him with an expression of trust and confidence, as though he were applying to a friend for counsel.
The visitors left the house, however, on no less friendly terms than before. But the visit was of the greatest importance to the prince, from his own point of view. Admitting that he had his suspicions, from the moment of the occurrence of last night, perhaps even before, that Nastasia had some mysterious end in view, yet this visit confirmed his suspicions and justified his fears. It was all clear to him; Prince S. was wrong, perhaps, in his view of the matter, but he was somewhere near the truth, and was right in so far as that he understood there to be an intrigue of some sort going on. Perhaps Prince S. saw it all more clearly than he had allowed his hearers to understand. At all events, nothing could be plainer than that he and Adelaida had come for the express purpose of obtaining explanations, and that they suspected him of being concerned in the affair. And if all this were so, then _she_ must have some terrible object in view! What was it? There was no stopping _her_, as Muishkin knew from experience, in the performance of anything she had set her mind on! “Oh, she is mad, mad!” thought the poor prince.
“How can I? How can I?” cried Hippolyte, looking at him in amazement. “Gentlemen! I was a fool! I won’t break off again. Listen, everyone who wants to!”

“Yes, yes--I must hurry away, I’m late! Look here, dears, let him write you something in your albums; you’ve no idea what a wonderful caligraphist he is, wonderful talent! He has just written out ‘Abbot Pafnute signed this’ for me. Well, _au revoir!_”

“And I also wish for justice to be done, once for all,” cried Madame Epanchin, “about this impudent claim. Deal with them promptly, prince, and don’t spare them! I am sick of hearing about the affair, and many a quarrel I have had in your cause. But I confess I am anxious to see what happens, so do make them come out here, and we will remain. You have heard people talking about it, no doubt?” she added, turning to Prince S.

It struck him that the idea of the duel might not have occurred to Keller alone, but that his lesson in the art of pistol-loading might have been not altogether accidental! “Pooh! nonsense!” he said to himself, struck by another thought, of a sudden. “Why, she was immensely surprised to find me there on the verandah, and laughed and talked about _tea!_ And yet she had this little note in her hand, therefore she must have known that I was sitting there. So why was she surprised? Ha, ha, ha!”
“What do I care if you are base or not? He thinks he has only to say, ‘I am base,’ and there is an end of it. As to you, prince, are you not ashamed?--I repeat, are you not ashamed, to mix with such riff-raff? I will never forgive you!”

“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!”

“What on earth will she say to me, I wonder?” he thought to himself.

The prince muttered something, blushed, and jumped up; but Aglaya immediately sat down beside him; so he reseated himself.

Before long Nastasia and Gania had talked the matter over. Very little was said--her modesty seemed to suffer under the infliction of discussing such a question. But she recognized his love, on the understanding that she bound herself to nothing whatever, and that she reserved the right to say “no” up to the very hour of the marriage ceremony. Gania was to have the same right of refusal at the last moment.
The door opened at this point, and in came Gania most unexpectedly.
The latter had behaved modestly, but with dignity, on this occasion of his first meeting with the Epanchins since the rupture. Twice Mrs. Epanchin had deliberately examined him from head to foot; but he had stood fire without flinching. He was certainly much changed, as anyone could see who had not met him for some time; and this fact seemed to afford Aglaya a good deal of satisfaction.
“Besides,” said Burdovsky, “the prince would not like it, would he?” So they gave up the pursuit.
“You can stay with him if you like,” said Muishkin.
“Forgive me, it’s a schoolboy expression. I won’t do it again. I know quite well, I see it, that you are anxious on my account (now, don’t be angry), and it makes me very happy to see it. You wouldn’t believe how frightened I am of misbehaving somehow, and how glad I am of your instructions. But all this panic is simply nonsense, you know, Aglaya! I give you my word it is; I am so pleased that you are such a child, such a dear good child. How _charming_ you can be if you like, Aglaya.”
All this news was received by the company with somewhat gloomy interest. Nastasia was silent, and would not say what she thought about it. Gania was equally uncommunicative. The general seemed the most anxious of all, and decidedly uneasy. The present of pearls which he had prepared with so much joy in the morning had been accepted but coldly, and Nastasia had smiled rather disagreeably as she took it from him. Ferdishenko was the only person present in good spirits.

Farther on, in another place, she wrote: “Do not consider my words as the sickly ecstasies of a diseased mind, but you are, in my opinion--perfection! I have seen you--I see you every day. I do not judge you; I have not weighed you in the scales of Reason and found you Perfection--it is simply an article of faith. But I must confess one sin against you--I love you. One should not love perfection. One should only look on it as perfection--yet I am in love with you. Though love equalizes, do not fear. I have not lowered you to my level, even in my most secret thoughts. I have written ‘Do not fear,’ as if you could fear. I would kiss your footprints if I could; but, oh! I am not putting myself on a level with you!--Look at the signature--quick, look at the signature!”

“Quite so, I take no notice of it. Ha, ha! and think of this, prince, my pockets are always strong and whole, and yet, here in one night, is a huge hole. I know the phenomenon is unworthy of your notice; but such is the case. I examined the hole, and I declare it actually looks as though it had been made with a pen-knife, a most improbable contingency.”
“When the old woman took to her bed finally, the other old women in the village sat with her by turns, as the custom is there; and then Marie was quite driven out of the house. They gave her no food at all, and she could not get any work in the village; none would employ her. The men seemed to consider her no longer a woman, they said such dreadful things to her. Sometimes on Sundays, if they were drunk enough, they used to throw her a penny or two, into the mud, and Marie would silently pick up the money. She had began to spit blood at that time.

“I admit I was afraid that that was the case, yesterday,” blundered the prince (he was rather confused), “but today I am quite convinced that--”

“The project was abandoned; Davoust shrugged his shoulders and went out, whispering to himself--‘_Bah, il devient superstitieux!_’ Next morning the order to retreat was given.”
“You don’t think me one! Oh, dear me!--that’s very clever of you; you put it so neatly, too.”
The following report of the proceedings on the wedding day may be depended upon, as coming from eye-witnesses.

“I think only one of your rooms is engaged as yet, is it not? That fellow Ferd-Ferd--”

And, indeed, there were no words in which he could have expressed his horror, yes, _horror_, for he was now fully convinced from his own private knowledge of her, that the woman was mad.