“I didn’t say right out who I was, but Zaleshoff said: ‘From Parfen Rogojin, in memory of his first meeting with you yesterday; be so kind as to accept these!’
To a commonplace man of limited intellect, for instance, nothing is simpler than to imagine himself an original character, and to revel in that belief without the slightest misgiving.
To a commonplace man of limited intellect, for instance, nothing is simpler than to imagine himself an original character, and to revel in that belief without the slightest misgiving.
The prince walked along, musing. He did not like his commission, and disliked the idea of Gania sending a note to Aglaya at all; but when he was two rooms distant from the drawing-room, where they all were, he stopped as though recalling something; went to the window, nearer the light, and began to examine the portrait in his hand.
“And was it you looked out of the window under the blind this morning?”
“What have you done, indeed?” put in Nina Alexandrovna. “You ought to be ashamed of yourself, teasing an old man like that--and in your position, too.”
“Who may that be? a clerk?”
“Two minutes more, if you please, dear Ivan Fedorovitch,” said Lizabetha Prokofievna to her husband; “it seems to me that he is in a fever and delirious; you can see by his eyes what a state he is in; it is impossible to let him go back to Petersburg tonight. Can you put him up, Lef Nicolaievitch? I hope you are not bored, dear prince,” she added suddenly to Prince S. “Alexandra, my dear, come here! Your hair is coming down.”
She would not marry the latter, she said, until she felt persuaded that neither on his part nor on the part of his family did there exist any sort of concealed suspicions as to herself. She did not intend to ask forgiveness for anything in the past, which fact she desired to be known. She did not consider herself to blame for anything that had happened in former years, and she thought that Gavrila Ardalionovitch should be informed as to the relations which had existed between herself and Totski during the last five years. If she accepted this money it was not to be considered as indemnification for her misfortune as a young girl, which had not been in any degree her own fault, but merely as compensation for her ruined life.
“Mamma, what are you saying?” said Alexandra again, hurriedly.
“And yet I must die,” he said, and almost added: “a man like me!
“Yes, a candle! What’s there improbable about that?”
Without the ceremony of knocking, Parfen entered a small apartment, furnished like a drawing-room, but with a polished mahogany partition dividing one half of it from what was probably a bedroom. In one corner of this room sat an old woman in an arm-chair, close to the stove. She did not look very old, and her face was a pleasant, round one; but she was white-haired and, as one could detect at the first glance, quite in her second childhood. She wore a black woollen dress, with a black handkerchief round her neck and shoulders, and a white cap with black ribbons. Her feet were raised on a footstool. Beside her sat another old woman, also dressed in mourning, and silently knitting a stocking; this was evidently a companion. They both looked as though they never broke the silence. The first old woman, so soon as she saw Rogojin and the prince, smiled and bowed courteously several times, in token of her gratification at their visit.
It was clear that he came out with these words quite spontaneously, on the spur of the moment. But his speech was productive of much--for it appeared that all Gania’s rage now overflowed upon the prince. He seized him by the shoulder and gazed with an intensity of loathing and revenge at him, but said nothing--as though his feelings were too strong to permit of words.
Aglaya pressed the prince’s hand and left the room. Her face was serious and frowning; she did not even smile as she nodded good-bye to him at the door.
“No, I had better speak,” continued the prince, with a new outburst of feverish emotion, and turning towards the old man with an air of confidential trustfulness. “Yesterday, Aglaya Ivanovna forbade me to talk, and even specified the particular subjects I must not touch upon--she knows well enough that I am odd when I get upon these matters. I am nearly twenty-seven years old, and yet I know I am little better than a child. I have no right to express my ideas, and said so long ago. Only in Moscow, with Rogojin, did I ever speak absolutely freely! He and I read Pushkin together--all his works. Rogojin knew nothing of Pushkin, had not even heard his name. I am always afraid of spoiling a great Thought or Idea by my absurd manner. I have no eloquence, I know. I always make the wrong gestures--inappropriate gestures--and therefore I degrade the Thought, and raise a laugh instead of doing my subject justice. I have no sense of proportion either, and that is the chief thing. I know it would be much better if I were always to sit still and say nothing. When I do so, I appear to be quite a sensible sort of a person, and what’s more, I think about things. But now I must speak; it is better that I should. I began to speak because you looked so kindly at me; you have such a beautiful face. I promised Aglaya Ivanovna yesterday that I would not speak all the evening.”
“Where did they tell you so,--at his door?”
Nina Alexandrovna--seeing his sincerity of feeling--said at last, and without the faintest suspicion of reproach in her voice: “Come, come--don’t cry! God will forgive you!”
| “Won’t you leave the room, mamma?” asked Varia, aloud. |
| “If you,” he said, addressing Burdovsky--“if you prefer not to speak here, I offer again to go into another room with you... and as to your waiting to see me, I repeat that I only this instant heard...” |
| “So I will,” he whispered hoarsely. “As soon as I get home I will go to bed at once; and I know I shall be dead in a fortnight; Botkine told me so himself last week. That is why I should like to say a few farewell words, if you will let me.” |
“We demand, we demand, we demand, we do not beseech,” spluttered Burdovsky, red as a lobster.
“I took her to see my mother, and she was as respectful and kind as though she were her own daughter. Mother has been almost demented ever since father died--she’s an old woman. She sits and bows from her chair to everyone she sees. If you left her alone and didn’t feed her for three days, I don’t believe she would notice it. Well, I took her hand, and I said, ‘Give your blessing to this lady, mother, she’s going to be my wife.’ So Nastasia kissed mother’s hand with great feeling. ‘She must have suffered terribly, hasn’t she?’ she said. She saw this book here lying before me. ‘What! have you begun to read Russian history?’ she asked. She told me once in Moscow, you know, that I had better get Solovieff’s Russian History and read it, because I knew nothing. ‘That’s good,’ she said, ‘you go on like that, reading books. I’ll make you a list myself of the books you ought to read first--shall I?’ She had never once spoken to me like this before; it was the first time I felt I could breathe before her like a living creature.”
| Could not something be made of this man under good influences? asked the prince of himself, for he began to feel a kind of pity for his visitor. He thought little of the value of his own personal influence, not from a sense of humility, but from his peculiar way of looking at things in general. Imperceptibly the conversation grew more animated and more interesting, so that neither of the two felt anxious to bring it to a close. Keller confessed, with apparent sincerity, to having been guilty of many acts of such a nature that it astonished the prince that he could mention them, even to him. At every fresh avowal he professed the deepest repentance, and described himself as being “bathed in tears”; but this did not prevent him from putting on a boastful air at times, and some of his stories were so absurdly comical that both he and the prince laughed like madmen. |
Lizabetha Prokofievna placed a chair for him with her own hands.
“Let’s all go to my boudoir,” she said, “and they shall bring some coffee in there. That’s the room where we all assemble and busy ourselves as we like best,” she explained. “Alexandra, my eldest, here, plays the piano, or reads or sews; Adelaida paints landscapes and portraits (but never finishes any); and Aglaya sits and does nothing. I don’t work too much, either. Here we are, now; sit down, prince, near the fire and talk to us. I want to hear you relate something. I wish to make sure of you first and then tell my old friend, Princess Bielokonski, about you. I wish you to know all the good people and to interest them. Now then, begin!”
While he feasted his eyes upon Aglaya, as she talked merrily with Evgenie and Prince N., suddenly the old anglomaniac, who was talking to the dignitary in another corner of the room, apparently telling him a story about something or other--suddenly this gentleman pronounced the name of “Nicolai Andreevitch Pavlicheff” aloud. The prince quickly turned towards him, and listened.
The prince looked back at him in amazement.
“But it’s not I alone,” cried Colia. “They all talked about it, and they do still. Why, just now Prince S. and Adelaida Ivanovna declared that they upheld ‘the poor knight’; so evidently there does exist a ‘poor knight’; and if it were not for Adelaida Ivanovna, we should have known long ago who the ‘poor knight’ was.”
“You don’t think me one! Oh, dear me!--that’s very clever of you; you put it so neatly, too.”